A word is worth a thousand pictures-Jude B

Music

Gloc-9 Homage

from left: Lira Bermudez, Gloc 9 and Denise Barbacena. Gloc 9 was the biggest winner: Album of the year (LIHAM AT LIHIM), Song of the Year (MAGDA featuring Rico Blanco), Best Collaboration Performance (MAGDA featuring Rico Blanco) and Best Rap (MAGDA). The 27th Awit Awards was held at the Newport Performing Arts Theater, Resort’s World Manila last December 12, 2014. Photo by Jude Bautista
for full awards article click on this link:
https://judebautista.wordpress.com/2014/12/14/gloc-9-dominates-27th-awit-awards/

Written and photographed

By Jude Bautista

ARTIST PLAYGROUND presents a series of 10-minute plays inspired by the songs of rapper Gloc-9 called the G9 SERIES running this weekend from November 18-19, 2017 at the ARTS ABOVE, 112 West Avenue Building Quezon City.

Alleah Hugo (Magda) in ITIM NA SAMPAGUITA part of AP’s G9 SERIES running this weekend from November 18-19, 2017 at the ARTS ABOVE, 112 West Avenue Building Quezon City. Photo by Jude Bautista

For the reasonable price of P150, you are able to catch 6 plays together with performance art (on Saturday night) in the DISTRICT GALLERY currently housing GROUND ZERO. This is an exhibit running from November 11- December 9 from artists: Racquel De Loyola, Celine Lee, Nasser Lubay, Jose Tong, Marc Gaba, Wipo and Kevin Nieves. DISTRICT GALLERY is just the next floor ARTS ABOVE.

Artwork by poet / artist Marc Gaba from GROUND ZERO exhibit running in DISTRICT GALLERY- November 11- December 9, 2017 with artists: Racquel De Loyola, Celine Lee, Nasser Lubay, Jose Tong, Marc Gaba, Wipo and Kevin Nieves.

The G9 SERIES is the second set of the RATED AP: ARTS & PERFORMANCE FESTIVAL, which aims to find new talent in the dramatic arts by allowing young people the experience of production work. ARTIST PLAYGROUND for this fest is cooperating with the PAMANTASANG LUNGSOD NG VALENZUELA. PLV’s Theater Majors have done their school proud by producing noteworthy plays.

Playwrights from left: Kate Rose Urrutia-HINAHANAP NG PUSO, Overall director Paul Jake Paule, AP Artistic Dir Roeder Camañag, Wenna Jarito-MAGDA and Kimberley Claire Somoza-FIRST LOVE. AP’s G9 SERIES is running this weekend from November 18-19, 2017 at the ARTS ABOVE, 112 West Avenue Building Quezon City. Photo by Jude Bautista

IN ORDER of performance: 1) BAYAD by playwright Renalyn Alvaran directed by Alleah Hugo, 2) SCANDAL by playwright Mary Jean Moises directed by Beulah Saycon, 3) MAGDA by playwright Wenna Diaz Jarito directed by Roxy Hipolito, 4) HINAHANAP NG PUSO by playwright Kate Rose Urrutia directed by Jester Ramirez, 5) ITIM NA SAMPAGUITA by playwright EJ Malicdem directed by Emman Deliarte 6) FIRST LOVE by playwright Kimberly Claire Somoza directed by Alex Gallo.

Installation by artist Nasser Lubay from GROUND ZERO exhibit running in DISTRICT GALLERY- November 11- December 9, 2017 with artists: Racquel De Loyola, Celine Lee, Nasser Lubay, Jose Tong, Marc Gaba, Wipo and Kevin Nieves.

The venue is near the EDSA side of West Ave. As a landmark look for the large signs of the B.I.R Bureau of Internal Revenue on the West Avenue Building. The government agency occupies several floors while ARTS ABOVE is at the penthouse, two top most floors, hence the name.

Scene from HINAHANAP NG PUSO part of AP’s G9 SERIES running this weekend from November 18-19, 2017 at the ARTS ABOVE, 112 West Avenue Building Quezon City. Photo by Jude Bautista

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Kingsman Against EJK

Taron Egerton (Eggsy Unwin/Galahad); KINGSMAN THE GOLDEN CIRCLE.

Written by

Jude Bautista

Eggsy (Taron Egerton) was excited to get out of the Kingsman tailoring shop and have a quiet dinner with his young, loving girlfriend. Two steps from the Kingsman vehicle disguised as a black London cab, a familiar face confronts him. Charlie (Edward Holcroft) holds a gun to his neck and forces him into the car. Eggsy appears to give in, just as the car door opens he flips Charlie into the backseat and tries to electrocute him with a hidden Taser. Charlie responds, “That’s not going to work on me anymore.” Charlie’s right sleeve burns and reveals a robot arm and punches Eggsy who gets out of the way. Eggsy screams at the driver to “Just drive!” Just then Prince’s ‘Let’s Go Crazy’ starts blaring out the speakers as they try to kill each other, the car runs a hundred miles per hour through London’s busy streets.

Taron Egerton (Eggsy Unwin/Galahad) and Edward Holcroft (Charlie Hesketh); KINGSMAN THE GOLDEN CIRCLE.

As they struggle in the back seat, Eggsy sees another car speeding beside them. The back door swings open as Eggsy hangs on. Before an oncoming car hits the door, Eggsy leaps out of the way and he lands on the door skimming on the street like a spinning surfboard. The attacker’s car following them tries to run over him. Just before he gets run over, he grabs the trunk handle, opens it and gets in. He hits Charlie through the cushion and starts the fight all over again.

KINGSMAN THE GOLDEN CIRCLE has already exceeded the box office success of the first version.

Kingsman The Golden Circle has it all: cars being driven underwater, ordinary looking eyeglasses that allow video conferencing, robot dogs that tear people apart to electric lassos and bullet proof umbrellas, hands down the best action movie of the year. The first film established it as James Bond to the nth power with a little bit of Austin Powers mixed in. Golden Circle tops all that and much more.

Kingsman represents everything that’s quintessentially British.

Combining high tech action and dry British comedy had the expected result: a hit earning $192.2million worldwide after the first week of opening. In the U.S. it has already out grossed the first film. But what was even more remarkable is how it dealt with something that was perfectly relevant to Filipinos. The message seems targeted or specifically tailor made for the Philippine situation.

Colin Firth (Harry Hart) and Taron Egerton (Eggsy Unwin/Galahad); KINGSMAN THE GOLDEN CIRCLE.

Nowhere in the film does it even mention the phrase or acronym EJK or extra judicial killings because it goes way further than that. The film breaks the fallacy of two very clear generalizations that have been the norm in our country: 1. All drug users are criminals 2. All criminals deserve to die.

From left: Jonathan Ross, Director Matt Vaughn and Claudia Schiffer; KINGSMAN THE GOLDEN CIRCLE.

Mark Millar & Dave Gibbons were the two comic book creators originally called The Secret Service. But both Writer/ Director Matthew Vaughn and screenwriter Jane Goldman should be praised and congratulated for making the story and dialogue for The Golden Circle beyond an action blockbuster. They injected something pertinent most especially with the current situation in our country.

Jeff Bridges (Champagne); KINGSMAN THE GOLDEN CIRCLE.

Quoted Dialogue

Before anyone can say spoiler alert, in this section of dialogue no character is revealed to have died nor the result of their plans. It does reveal the mindset and intentions of the U.S. President convincingly played by Bruce Greenwood. The scene is after nemesis and Drug Lord of the World Poppy Adams (Julianne Moore) has poisoned millions of people in America and the world with an additive in her drugs that ensures a painful death. She also offers an antidote if the President will end his War on Drugs and legitimize her business.

Julianne Moore (Poppy Adams); KINGSMAN THE GOLDEN CIRCLE.

President (Bruce Greenwood): What I’m proposing is we appear to agree to her demands to prevent global panic. And then let the junky scum go down in flames! Hehehe Yeah! Let this Poppy cancer go down with them. No drug users, no drug trade! Win-win situation here. Chief of Staff Fox (Emily Watson): But sir we’re not talking about a handful of hostages here. We could be looking at the deaths of hundreds of millions worldwide. President: Hundreds of millions of criminals a burden to society! Am I right McCoy? General McCoy (Mark Arnold): Absolutely sir.

From left: Mark Arnold (General McCoy), Bruce Greenwood (President) and Emily Watson (Chief of Staff Fox); KINGSMAN THE GOLDEN CIRCLE.

Chief of Staff Fox: What about people who were just experimenting or self-medicating? Functioning professionals? Kids? President: Don’t give me that crap Fox! The fact is this presidency has just won the war on drugs! General McCoy: Congratulations sir! President: Thank you! And that deserves a toast! Chief of Staff Fox: This is totally unethical sir. President: Fox shut up! McCoy declare martial law we need to maintain control. Commandeer stadiums, schools, civic centers order a press black out. Put the military on standby…

Bruce Greenwood (President); KINGSMAN THE GOLDEN CIRCLE.

Champ (Jeff Bridges): Whether they committed a crime those people are human beings. Great God, right now Tequila is in deep freeze because of this. Whiskey (Pedro Pascal): We can’t make it personal sir. Champ: Personal? Agent we can’t stand by and let folks like him die. These people, we’re they’re only hope…

Jeff Bridges (Champagne); KINGSMAN THE GOLDEN CIRCLE.

Criminally Liable

Although the President was not the direct cause of the ‘deaths’ of drug users, it is crystal clear that he is more than happy to let them die, even when he had the chance to prevent it. According to the morality, logic and common sense of the film because of this he was still criminally liable. It’s the universal consensus in laws of man – Constitutions across the world, laws of God – in different religions from thousands of years is the sacredness of human life.

Kingsman represents everything that’s quintessentially British.

If this is common sense and is a universal consensus how is it in our country that all drug addicts are considered criminals? And how is it that all criminals therefore are deserving of summary executions? How is any of that acceptable? How was it made as a viable solution to our country’s ills?

If the U.S. President in this film can be held accountable for letting people die what more if a President is the actual cause of these people’s deaths? It may not be in the millions but it’s already in the thousands here in the Philippines. Then that President is without a doubt criminally liable.

OLD FORESTER made a limited edition Statesman Whiskey at 95 Proof.

Powerful Symbol

The War On Drugs is not the only political statement of the film. There are many but one of the most traditional is the use of the U.S. flag. The symbolism of inserting it in cinema is even older than Hollywood. In my Documentary Film class (many, many years ago in DLSU) was taught by Dr Doy Delmundo. He is one of the esteemed screenwriters and filmmakers in the Philippines. He showed us one of the earliest films ever produced here during the Fil-Am War of 1898.

Pedro Pascal (Jack Daniels/Whiskey); KINGSMAN THE GOLDEN CIRCLE.

U.S. soldiers were marching, carrying Old Glory. He talked about the positioning, front row and center. As it got closer to the camera the stars and stripes filled almost the top half of the frame. That simple composition impresses upon the viewer the dominance of America or as an emerging superpower from a silent-era documentary film.

Mark Strong (Merlin) and Halle Berry (Ginger Ale) ; KINGSMAN THE GOLDEN CIRCLE.

More than a hundred years later, the theme and technique still live on albeit with more special effects. In one scene from KINGSMAN the good guys pull a ripcord releasing a parachute. Emblazoned on the whole fabric the unmistakable Stars and Stripes. The U.S. flag almost explodes on to the whole silver screen as air hits the chute expanding it. The message here is slightly changed, with America being the world’s savior.

Think and Ask Questions

Whether it’s the War on Drugs or American role in the geopolitical landscape, no one has to subscribe to any and all of the ‘political statements’ or ‘propaganda’ intentionally or unintentionally made in KINGSMAN THE GOLDEN CIRCLE. What it should do to us as viewers is make us think and ask questions. Why do we believe the things we do? What is my stand on this or that issue and why? And if a movie is able to make me think this way and ask questions while at the same time entertain using incredible action scenes with Prince and Elton John blaring in the background, then so much the better.

Guardians 1 Ending

GUARDIANS Awesome Mixtape

There’s been a recent trend in blockbusters of using music from the 60s, 70s and 80s. Yes it has been done countless times before. But the recent success of GUARDIANS OF THE GALAXY (the first one) has even more action and sci-fi flicks turning to the older hits that millennials are completely ignorant of. GUARDIANS was nominated for a Grammy, AMA & Billboard for their soundtrack while winning Best Music Supervision for Films Budgeted Over 25 Million Dollars (Dave Jordan) from Guild of Music Supervisors Awards and HMMA Best Soundtrack Album.

Poppy Delevingne (Clara Von Gluckfberg) ; KINGSMAN THE GOLDEN CIRCLE.

GUARDIANS last scene even included an old tape deck, on a space ship for that matter playing AIN’T NO MOUNTAIN HIGH ENOUGH by Marvin Gaye & Tammi Terrel, before that scene MOONAGE DAYDREAM from David Bowie and even the Jackson’s ABC during the credits. STAR TREK BEYOND followed with Beastie Boys SABOTAGE for its climactic scene.

Sophie Cookson (Roxy) and Channing Tatum (Tequila); KINGSMAN THE GOLDEN CIRCLE.

Crazy Elton John

KINGSMAN THE GOLDEN CIRCLE took it a step further when they actually cast one of the biggest songwriters from 70s and onward: Sir Elton John as himself. His scenes are the craziest you’ll ever see him. He plays to nearly all of his past real life tabloid exploits and emotional meltdowns dropping f-bomb after f-bomb. His fans and most people won’t be surprised at his ease in comedy. What is a revelation is his adeptness in the fight sequences. Youth of today will get a great intro to his work: DANIEL, SATURDAY NIGHT’S ALRIGHT FOR FIGHTING and Trump’s favorite ROCKET MAN.

Sir Elton John as Himself; KINGSMAN THE GOLDEN CIRCLE.

He wasn’t the only 70s icon honored too. Mark Strong who plays the gadget man Merlin had a very touching rendition of TAKE ME HOME COUNTRY ROADS by John Denver.

Official KGC trailer

Channing Tatum (Tequila); KINGSMAN THE GOLDEN CIRCLE

The Yanks

Kingsman The Secret Service represented everything that’s quintessentially British from dapper suits to scotch whisky. The Golden Circle adds their American cousins in Jeff Bridges (Champ), Channing Tatum (Tequila) and Halle Berry (Ginger Ale).

Pedro Pascal (Jack Daniels/Whiskey); KINGSMAN THE GOLDEN CIRCLE.

Pedro Pascal is unrecognizable as cowboy/agent Whiskey. Fans know him as the Mediterranean, Middle Ages Prince Oberyn in an unknown TV series called Game of Thrones. Here he has an electric lasso. Pascal was able to transform himself looking and sounding like a young Burt Reynolds with a southern accent. Pascal was born in Chile but grew up in Orange County, California and San Antonio, Texas.

from left: Pedro Pascal (Jack Daniels/Whiskey), Halle Berry (Ginger Ale), Channing Tatum (Tequila), Taron Egerton (Eggsy Unwin/Galahad), Mark Strong (Merlin), Colin Firth (Harry Hart), Jeff Bridges (Champagne), Julianne Moore (Poppy Adams) and Elton John as Himself; KINGSMAN THE GOLDEN CIRCLE.

The Golden Circle may seem like pure escapism with international locations, huge stars, super visual effects and awesome soundtrack but it also has some food for thought us Pinoys are in dire need of.

As Harry Hart (Colin Firth) imparted to Whiskey: “Manners maketh man.”

Colin Firth (Harry Hart); KINGSMAN THE GOLDEN CIRCLE.

Official fb

https://www.facebook.com/pg/KingsmanMovie/photos/?ref=page_internal

Imdb

http://www.imdb.com/title/tt4649466/fullcredits/

Movie pics

https://www.aceshowbiz.com/movie/kingsman_the_golden_circle/photo_2.html

Halle Berry (Ginger Ale); KINGSMAN THE GOLDEN CIRCLE.

KINGSMAN THE GOLDEN CIRCLE has already exceeded the box office success of the first version.

Pedro Pascal (Jack Daniels/Whiskey); KINGSMAN THE GOLDEN CIRCLE.

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Taron Egerton (Eggsy Unwin/Galahad); KINGSMAN THE GOLDEN CIRCLE.

OLD FORESTER made a limited edition Statesman Whiskey at 95 Proof.

Mark Strong (Merlin); KINGSMAN THE GOLDEN CIRCLE.

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Julianne Moore (Poppy Adams); KINGSMAN THE GOLDEN CIRCLE.

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http://www.flickr.com/photos/14686025@N00/

Colin Firth (Harry Hart); KINGSMAN THE GOLDEN CIRCLE.

Jeff Bridges (Champagne); KINGSMAN THE GOLDEN CIRCLE.

Taron Egerton (Eggsy Unwin/Galahad) and Mark Strong (Merlin); KINGSMAN THE GOLDEN CIRCLE.

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Taron Egerton (Eggsy Unwin/Galahad); KINGSMAN THE GOLDEN CIRCLE.

OLD FORESTER made a limited edition Statesman Whiskey at 95 Proof.

Taron Egerton (Eggsy Unwin/Galahad) and Mark Strong (Merlin); KINGSMAN THE GOLDEN CIRCLE.

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Pedro Pascal (Jack Daniels/Whiskey); KINGSMAN THE GOLDEN CIRCLE.

Kingsman represents everything that’s quintessentially British.

from left: Taron Egerton (Eggsy Unwin/Galahad), Colin Firth (Harry Hart) and Pedro Pascal (Jack Daniels/Whiskey); KINGSMAN THE GOLDEN CIRCLE

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Channing Tatum (Tequila) and Halle Berry (Ginger Ale); KINGSMAN THE GOLDEN CIRCLE.

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Colin Firth (Harry Hart) and Julianne Moore (Poppy Adams); KINGSMAN THE GOLDEN CIRCLE.

Taron Egerton (Eggsy Unwin/Galahad); KINGSMAN THE GOLDEN CIRCLE.

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Huppert Glam in SOUVENIR

Isabelle Huppert (Liliane Cheveny); Catch SOUVENIR and many more in the 20th Edition of Cine Europa from Sept 16-26, 2017 at Shang Cineplex, Shang Plaza Mall, Mandaluyong. SOUVENIR photo from:
http://www.allocine.fr/film/fichefilm-241070/photos/detail/?cmediafile=21403166

My Warmth, Beloved,

Written by

Jude Bautista

Joli garçon, je dis oui (Pretty boy, I say yes) Bras de béton, je dis oui (Arms of concrete, I say yes) Coeur de bonbon, je dis oui (Heart of candy, I say yes) Seul vit l’amour ou vit l’envie… (Love only lives where there is desire…) Oui mon amour (Yes, my love) Cueillons les fruits (Let’s gather the fruits) Sans perdre un jour (Without losing a day) ni même une nuit! Mon cheri…(or another night My darling…) Joie du retour, (The joy of returning) tu chasses mes ennuis (You chase away my unhappiness) Tu peins de ta main (You paint with your hand) Les couleurs de ma vie…(The colors of my life) These are lyrics from the song Joli Garçon (Pretty Boy) sung in the French film SOUVENIR by the eternal and peerless Isabelle Huppert.

4th from left: Danish Amb Jantop Christiansen, EU Delegation Chargé D’Affaires Mattias Lentz, 7th from left: Hungarian Amb Jozcef Bencze, Dutch Amb Marion Derckx, from left: PIA GM Alessandro Milani, French Cultural Attaché Diane Roblin, British Council Head of Arts & Creative Industries Malaya Del Rosario, Shang Plaza Mall Operations Mgr Johnny Rios, FDCP Chairman Liza Diño, Italian Deputy Head of Mission Fabio Schina, Swedish Press, Information and Cultural Officer Charlene Balaan, EU Delegation First Secretary Jerome Riviere, Czech Rep Trade Officer Madeleine Diolanda, Spanish First Sec. Guillermo Escribano and Austrian Press & Cultural Officer Zelpha Bombais. Catch SOUVENIR and many more in the 20th Edition of Cine Europa from Sept 16-26, 2017 at Shang Cineplex, Shang Plaza Mall, Mandaluyong. Photo by Jude Bautista

SOUVENIR is part of the 20th Edition of the Cine Europa film fest and is free on a first come first served basis. The fest runs from September 16-26, 2017 at Shang Cineplex, Shang Rila Plaza Mall in Mandaluyong, Philippines.

Now on its 20th year, the film festival has become stronger and bolder as it brings to the Philippines 24 films from 16 EU countries including from Austria, Belgium, Bulgaria, Czech Republic, Denmark, France, Germany, Hungary, Italy, Netherlands, Romania, Slovakia, Spain, Sweden, United Kingdom and Norway.

from left: EU Delegation Chargé D’Affaires Mattias Lentz, Shang Plaza Mall Operations Mgr Johnny Rios and FDCP Chairman Liza Diño. Catch SOUVENIR and many more in the 20th Edition of Cine Europa from Sept 16-26, 2017 at Shang Cineplex, Shang Plaza Mall, Mandaluyong. Photo by Jude Bautista

SOUVENIR is truly European as it has a Belgian Writer director in Bavo Defurne leading a French Production. The story revolves around Liliane Cheveny played by Isabelle Huppert who was a former French representative to a wildly popular European song contest (with stage name Laura) but did not gain the superstardom of ABBA. After a failed marriage with her music mogul husband, she lives humdrum life working in a paté factory. To non-French viewers such as myself, they may initially mistake the paté as fruitcake or enormous bread. The size is around a generous loaf of bread even my friends who’ve lived in France had the same mistaken impression.

Isabelle Huppert (Liliane Cheveny); Catch SOUVENIR and many more in the 20th Edition of Cine Europa from Sept 16-26, 2017 at Shang Cineplex, Shang Plaza Mall, Mandaluyong. SOUVENIR photo from:
http://www.allocine.fr/film/fichefilm-241070/photos/detail/?cmediafile=21403166

Glamorous Isabelle Huppert

She falls for a young 22-year-old boxer in Jean Leloup played by Kévin Azaïs. Although there is a considerable age gap between them, one can easily see how Jean falls for Liliane. She may not be a buxom blonde, but her red hair still holds its fire. Isabelle Huppert makes Liliane’s frailty lovable even sexy. And when she sings that’s when she pulls you in. The vocals aren’t necessarily operatic or Celine Dion-like. But the passion is certainly there. There’s both romance and insecurity in it that’s very relatable even charming that makes a song well…a hit.

Isabelle Huppert (Liliane Cheveny); Catch SOUVENIR and many more in the 20th Edition of Cine Europa from Sept 16-26, 2017 at Shang Cineplex, Shang Plaza Mall, Mandaluyong. SOUVENIR photo from:
http://www.allocine.fr/film/fichefilm-241070/photos/detail/?cmediafile=21403166

The cinematography of Philippe Guilbert and Virginie Saint-Martin brought out the glam in Isabelle Huppert, almost a throwback to old Hollywood. Huppert certainly has the face and body for it; this film only enhances that iconic beauty of a star.

There is this misty, dream-like look in selected shots from the macro photography of bubbles in the champagne glass to the motorcycle scenes of Liliane and Jean. Liliane’s face was happy with an almost orange glow of sunset in the background that was used in the 60s or photographs in the 70s. The cinematography was dreamy but not too much that it takes away from the realism of the story.

Isabelle Huppert (Liliane Cheveny) and Kévin Azaïs (Jean Leloup). Catch SOUVENIR and many more in the 20th Edition of Cine Europa from Sept 16-26, 2017 at Shang Cineplex, Shang Plaza Mall, Mandaluyong. SOUVENIR photo from:
http://www.allocine.fr/film/fichefilm-241070/photos/detail/?cmediafile=21403166

Filipino fans were introduced to Huppert in Brillante Medoza’s CAPTIVE (2012), which also had its Philippine premiere in Shang Cineplex. It was attended by Amb Gilles Garachon, Sen. Grace Poe, Sen. Loren Legarda, Ces Drilon, cast member Angel Aquino and National Artist for Literature F. Sionil Jose.

CAPTIVE was very gritty in terms of look as it followed the story of Thérèse Bourgoine, a French social worker kidnapped by the Abu Sayyaf Group. As their captors were hauling them through the jungles, it wasn’t an opportunity to appreciate the glamorous side of Huppert unlike here in SOUVENIR.

Isabelle Huppert (Liliane Cheveny) and Kévin Azaïs (Jean Leloup). Catch SOUVENIR and many more in the 20th Edition of Cine Europa from Sept 16-26, 2017 at Shang Cineplex, Shang Plaza Mall, Mandaluyong. SOUVENIR photo from:
http://www.allocine.fr/film/fichefilm-241070/photos/detail/?cmediafile=21403166

Kévin Azaïs

Kevin has the classic Gaelic features of piercing blue eyes and almost platinum blonde hair. He has ripped abdominals enough to be convincing as a lightweight boxer Jean. But his physique is not too rough that he overpowers Huppert. He maintains his boyish charms that catch her eye.

Isabelle Huppert (Liliane Cheveny) and Kévin Azaïs (Jean Leloup). Catch SOUVENIR and many more in the 20th Edition of Cine Europa from Sept 16-26, 2017 at Shang Cineplex, Shang Plaza Mall, Mandaluyong. SOUVENIR photo from:
http://www.allocine.fr/film/fichefilm-241070/photos/detail/?cmediafile=21403166

Much needed comic relief is from Jan Hammenecker who plays Jean’s father Eddy Leloup. The overweight dad is an even bigger fan of Laura from the 80s, that’s how Jean is familiar with her. It was so funny watching him fall all over himself the first time he meets her, while this irritates Jean’s mother.

Producers hired Thomas Lauderdale of PINK MARTINI to score the soundtrack for SOUVENIR. Pink Martini photo credit: CHRIS HORNBECKER from http://sacksco.com/notes/pink_martini.html

Joli Garcon

Music especially in this film played a crucial role in telling the story. Belgian Writer director Bavo Defurne and co screen writer/producer Yves Verbraeken tapped songwriter and PINK MARTINI pianist Thomas Lauderdale to score the film. Lauderdale spent months getting to know Huppert as she was supposed to perform the lead songs. The title track SOUVENIR, was the original hit from the European song competition that made Laura famous. While the song JOLI GARCON was supposed to be descriptive of Laura’s love for Jean: ‘arms of concrete’, ‘heart of candy’.

from right: Czech Republic Amb Jaroslav Olsa Jr., EU Delegation First Secretary Jerome Riviere, Shang Plaza Mall Pres. & GM Lala Fojas and French Cultural Counselor Yves Soberman. Catch SOUVENIR and many more in the 20th Edition of Cine Europa from Sept 16-26, 2017 at Shang Cineplex, Shang Plaza Mall, Mandaluyong. Photo by Jude Bautista

For JOLI GARCON Defurne and Verbraeken were also credited as co songwriters along with Pink Martini’s China Forbes, Valentin Hadjadj and Thomas Lauderdale.

The music has a very catchy Latin rhythm with a very strong LSS (last song syndrome) effect. After watching the film don’t be surprised if you start singing the chorus: Je Dis Oui !

PINK MARTINI’s album JE DIS OUIS ! has 2 of the songs from the SOUVENIR soundtrack. Pink Martini photo credit: CHRIS HORNBECKER from http://sacksco.com/notes/pink_martini.html

Pink Martini

PINK MARTINI is a group founded by former U.S. politician turned musician Thomas Lauderdale in Portland, Oregon. He describes the band, “Our repertoire is wildly diverse. At one moment, you feel like you’re in the middle of a samba parade in Rio de Janeiro, and in the next moment, you’re in a French music hall of the 1930s or a palazzo in Napoli. It’s a bit like an urban musical travelogue. We’re very much an American band, but we spend a lot of time abroad and therefore have the incredible diplomatic opportunity to represent a broader, more inclusive America… the America which remains the most heterogeneously populated country in the world… composed of people of every country, every language, every religion.”

Top row 3rd from left: Czech Republic Amb Jaroslav Olsa Jr. Top row from left: French Cultural Counselor Yves Soberman, Spanish Emb Officer Inigo Celdran, Czech Republic Deputy Amb Jana Peterkova, FDCP Festival Dev. Lead Officer Jo Andrew Torlao and Shang Plaza Mall Operations Mgr Johnny Rios. Bottom row from left: Danish Cultural Affairs Officer Angelo Cruz, German Press & Cultural Officer Cyril Constantino, British Council Head of Arts & Creative Industries Malaya Del Rosario, German First Sec for Culture Thorsten Gottfried, Shang Plaza Mall Pres. & GM Lala Fojas, French Cultural Attaché Diane Roblin, EU Delegation First Secretary Jerome Riviere, Shang Plaza Mall Mktg Mgr Ayen Florendo, EU Delegation Information Officer Robert Leon, Austrian Press & Cultural Officer Zelpha Bombais, French Audio Visual Attaché Martin Macalintal and EU Delegation Public Affairs Officer Thelma Gecolea. Catch SOUVENIR and many more in the 20th Edition of Cine Europa from Sept 16-26, 2017 at Shang Cineplex, Shang Plaza Mall, Mandaluyong. Photo by Jude Bautista

Pres. Emmanuel Macron

Similarly it is this multicultural sentiment that the European Union and even the Cine Europa film fest celebrates. Diversity is something that should be preserved and feted. This is a facet of French ideals in Liberte, Egalite and Fraternite that President Emmanuel Macron believes in and campaigned for. He squarely defeated rightist, ultra-nationalist Marine Le Pen who ran on a campaign that was anti immigration. French voters agreed with Macron’s beliefs via a landslide victory over Le Pen during the last presidential election.

President Macron also has similarity with the character Jean Leloup in SOUVENIR as he has fallen in love and married an older woman. First Lady Brigitte Trogneux, was his drama teacher in high school. She is 25 years older but is seen as one of the most striking First Ladies in the world. This is more acceptable these days especially after his election. ‘The statistics are changing when it comes to a woman having a younger “monsieur” according to a new study by France’s official statistics bureau Insee.’ [From thelocal.fr article: French women going for younger lovers, study shows]

Isabelle Huppert (Liliane Cheveny) and Kévin Azaïs (Jean Leloup). Catch SOUVENIR and many more in the 20th Edition of Cine Europa from Sept 16-26, 2017 at Shang Cineplex, Shang Plaza Mall, Mandaluyong. SOUVENIR photo from:
http://www.allocine.fr/film/fichefilm-241070/photos/detail/?cmediafile=21403166

EU Delegation Chargé D’Affaires Mattias Lentz; Catch SOUVENIR and many more in the 20th Edition of Cine Europa from Sept 16-26, 2017 at Shang Cineplex, Shang Plaza Mall, Mandaluyong. Photo by Jude Bautista

Cine Europa Partners

Cine Europa, according to EU Chargé D’Affaires Mattias Lentz, has earned a niche among film enthusiasts in the country because of its strong partnership and collaboration with its partners including Shangri-La Plaza, the Film Development Council of the Philippines, Arts Council of Cebu, Ayala Center in Cebu, the University of the Philippines- Visayas in Tacloban, the Visayas State University in Baybay Leyte Liceo de Cagayan in Cagayan de Oro City, Palawan State University and recently, Ateneo de Naga University. “We also owe a lot to our Filipino moviegoers who have supported Cine Europa for the last 20 years since the European Union started the film festival as a gift to the Philippines for the latter’s centennial celebrations”, said Mr Lentz.

Isabelle Huppert (Liliane Cheveny); Catch SOUVENIR and many more in the 20th Edition of Cine Europa from Sept 16-26, 2017 at Shang Cineplex, Shang Plaza Mall, Mandaluyong. SOUVENIR photo from:
http://www.allocine.fr/film/fichefilm-241070/photos/detail/?cmediafile=21403166

French Chargé D’Affaires Laurent Legodec; Catch SOUVENIR and many more in the 20th Edition of Cine Europa from Sept 16-26, 2017 at Shang Cineplex, Shang Plaza Mall, Mandaluyong. Photo by Jude Bautista

Cine Europa Roadshow

After its edition in Shangri-La Plaza, Cine Europa takes a road trip to the cities of Baguio, Cebu, Iloilo, Tacloban, Baybay, Puerto Princesa and back to Manila. For the first time, Cine Europa is travelling to Ateneo de Naga University.

Website:   http://www.eeas.europa.eu/delegations/philippines

Facebook: EU Delegation to the Philippines

Shang Plaza Mall Operations Mgr Johnny Rios; Catch SOUVENIR and many more in the 20th Edition of Cine Europa from Sept 16-26, 2017 at Shang Cineplex, Shang Plaza Mall, Mandaluyong. Photo by Jude Bautista

Isabelle Huppert (Liliane Cheveny); Catch SOUVENIR and many more in the 20th Edition of Cine Europa from Sept 16-26, 2017 at Shang Cineplex, Shang Plaza Mall, Mandaluyong. SOUVENIR photo from:
http://www.allocine.fr/film/fichefilm-241070/photos/detail/?cmediafile=21403166

from left: French Chargé D’Affaires Laurent Legodec, EU Delegation Chargé D’Affaires Mattias Lentz and Spanish First Sec. Guillermo Escribano. Catch SOUVENIR and many more in the 20th Edition of Cine Europa from Sept 16-26, 2017 at Shang Cineplex, Shang Plaza Mall, Mandaluyong. Photo by Jude Bautista

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Isabelle Huppert (Liliane Cheveny); Catch SOUVENIR and many more in the 20th Edition of Cine Europa from Sept 16-26, 2017 at Shang Cineplex, Shang Plaza Mall, Mandaluyong. SOUVENIR photo from:
http://www.allocine.fr/film/fichefilm-241070/photos/detail/?cmediafile=21403166


L’INHUMAINE Helouise La Harpe

Helouise La Harpe (electric harp/vocals); The 11th Intl. Silent Film Festival Manila ran from Aug. 31- Sept.3, 3017 at the Shang Cineplex, Shang Plaza Mall, Mandaluyong City. Entrance was free on a first come first served basis. Photo by Jude Bautista

Written and photographed

By Jude Thaddeus Bautista

Beneath the flickering light of the screen, she sways. Moving slowly swinging her hips, arms, shoulders, in a smooth sexy rhythm…in high heels. Her eyes are on the screen above her, plucking the harp the way she plucks at men’s hearts. She moves to the music she makes, a sight to behold.

Helouise La Harpe (electric harp/vocals); The 11th Intl. Silent Film Festival Manila ran from Aug. 31- Sept.3, 3017 at the Shang Cineplex, Shang Plaza Mall, Mandaluyong City. Entrance was free on a first come first served basis. Photo by Jude Bautista

Even in the near darkness of the Shang Cineplex movie theater, we were all captivated with watching her. We would’ve been forgiven if we forgot there was actually a silent film we had to watch. The enchanting jazz music by Helouise La Harpe on the electric harp, Ryan Villamor (keyboards) and percussionist Aldous Castro was more than enough entertainment.

ALPAS performed their song ‘Bagani’ at the Atrium of Shang Plaza for the Musika X Pelikula a parallel event courtesy of PARA SA SINING, September 3rd 2017. The 11th Intl. Silent Film Festival Manila ran from Aug. 31- Sept.3, 3017 at the Shang Cineplex, Shang Plaza Mall, Mandaluyong City. Entrance was free on a first come first served basis. Photo by Jude Bautista

The fest ran from August 31 to September 3, 2017, featured a total of 9 Silent films from 9 different countries accompanied by esteemed musicians from the local scene. Opening the fest is EL GOLFO (1918) from Spain- Instituto Cervantes on 8 PM August 31 with music by TALAHIB.

from left: Japan Foundation Mla Dir. Hiroaki Uesugi, benshi Ichiro Kataoka, British Council Head of Arts & Creative Industries Malaya Del Rosario, British Council Dir. Nicholas Thomas, FDCP Chair Liza Diño, Spanish First Sec. Guillermo Escribano, US Emb Public Affairs Officer Matt Keener, U.S. Asst. Cultural Affairs Jeanie Duwan, FDCP Exec Dir Wilfredo Manalang, Austrian Emb Press & Cultural Officer Zelpha Bombais and PARA SA SINING Dir. Micah Pinto. The 11th Intl. Silent Film Festival Manila ran from Aug. 31- Sept.3, 3017 at the Shang Cineplex, Shang Plaza Mall, Mandaluyong City. Entrance was free on a first come first served basis. Photo by Jude Bautista

September 1st Anthony Asquith’s UNDERGROUND (7:30 PM) from the U.K.- British Council with music by GOODLEAF; THE NEW ENCHANTMENT (9:30 PM) from France accompanied by Helouise La Harpe. September 2nd A PERFECT FAMILY (3 PM) from Italy- Philippine Italian Association / Emb. of Italy with live score by TOM’S STORY; Yasujiro Ozu’s DRAGNET GIRL (5:30PM) from Japan – Japan Foundation with live narration from benshi Ichiro Kataoka and music by THE CELSO ESPEJO RONDALLA; Gym Lumbera’s TAGLISH (8PM) from the Philippines – FILM DEVELOPMENT COUNCIL OF THE PHILIPPINES with music by KAPITAN KULAM. September 3rd CAFÉ ELECTRIK (3PM) from Austria with music by RIVERMAYA; PANDORA’S BOX (5:30 PM) from Germany – Goethe Institut Philippinen with music by SANDWICH and Buster Keaton’s THE GENERAL (8PM) from the U.S.A with music from FLIPPIN SOUL STOMPERS.

Helouise La Harpe (electric harp/vocals); The 11th Intl. Silent Film Festival Manila ran from Aug. 31- Sept.3, 3017 at the Shang Cineplex, Shang Plaza Mall, Mandaluyong City. Entrance was free on a first come first served basis. Photo by Jude Bautista

The choice for Helouise La Harpe was actually perfect for the story of (English title The New Enchantment) L’INHUMAINE (1923) from FRANCE in more ways than one. The story involves Claire Lescot a captivating opera diva, played by Georgette Leblanc who was the most sought after beauty of her time. Her suitors were among the most powerful and famous men: A Maharajah – Djorah de Nopur (Philippe Hériat), an intellectual revolutionary – Wladimir Kranine (Léonid Walter de Malte) and the mysterious Einar Norsen (Jaque Catelain) who keeps his true profession away from prying eyes. The description of being inhuman comes in, as nothing these men did to please or capture her attention seems to satisfy her.

Georgette Leblanc (Claire) in France’s L’INHUMAINE (1923). The 11th Intl. Silent Film Festival Manila ran from Aug. 31- Sept.3, 3017 at the Shang Cineplex, Shang Plaza Mall, Mandaluyong City. Entrance was free on a first come first served basis. Photo by Jude Bautista

Percussionist Aldous Castro using The Hang; The 11th Intl. Silent Film Festival Manila ran from Aug. 31- Sept.3, 3017 at the Shang Cineplex, Shang Plaza Mall, Mandaluyong City. Entrance was free on a first come first served basis. Photo by Jude Bautista

Percussionist Aldous Castro had several instruments at his disposal to produce a lot of different sound effects. But one of the most unique is The Hang (‘the hand’ in Swedish/German). It looks like a giant wok inverted with circular indents. He is able to hit it with one hand and control the vibrations with the other. There are wide varieties of sounds it emits that contribute to the mood of the scene.

Jaque Catelain (Einar), Georgette Leblanc (Claire) in France’s L’INHUMAINE (1923). The 11th Intl. Silent Film Festival Manila ran from Aug. 31- Sept.3, 3017 at the Shang Cineplex, Shang Plaza Mall, Mandaluyong City. Entrance was free on a first come first served basis. Photo by Jude Bautista

In between scenes keyboardist Ryan Villamor would bark out moods and tempo. Among the silent film titles L’INHUMAINE had the feature of having different colored tints from shot to shot. Sometimes it would be sepia, green and of course the usual black and white. Cristina Moricca of PIA (Phil. Italian Association) shared a previous talk by cinema historian Nick De Ocampo. He said that these tints were an indication of mood for the scene, which was used in the silent era. Villamor also said that these indicators were quite helpful to the musicians. For modern viewers it could be disorienting, it takes some getting used to; imagine a feature length Katy Perry music video.

Scene from L’INHUMAINE (1923); The 11th Intl. Silent Film Festival Manila ran from Aug. 31- Sept.3, 3017 at the Shang Cineplex, Shang Plaza Mall, Mandaluyong City. Entrance was free on a first come first served basis. Photo by Jude Bautista

Directed by Marcel L’Herbier there’s a strong fantasy element to the film with elaborate sets. Claire’s home for example was palatial with pools and fountains complete with servants. In the story, Einar was so distraught by Claire’s perceived rejection he drives his car off the cliff. In spite of news spreading of the suicide, Claire decides to go on with her scheduled concert.

Spectators quickly became a mob in France’s L’INHUMAINE (1923). The 11th Intl. Silent Film Festival Manila ran from Aug. 31- Sept.3, 3017 at the Shang Cineplex, Shang Plaza Mall, Mandaluyong City. Entrance was free on a first come first served basis. Photo by Jude Bautista

The theater hall was filled with spectators, and after one rabble-rouser heckles her for the suicide (for being inhuman) the whole crowd turns and chaos ensues. Just as people were about to mob Claire she begins to sing. In real time Helouise La Harpe also begins to sing in French. The mob that was about to tear Claire apart was so moved by her voice they begin to calm down. The live audience in Shang Cineplex were similarly moved by Helouise’ jazzy, hypnotic voice. By the end of the song the theater was in a rapturous applause for Claire and trouble had been averted.

Helouise La Harpe (electric harp/vocals); The 11th Intl. Silent Film Festival Manila ran from Aug. 31- Sept.3, 3017 at the Shang Cineplex, Shang Plaza Mall, Mandaluyong City. Entrance was free on a first come first served basis. Photo by Jude Bautista

This was one of those cinematic moments that evoke a deep emotion and stays with you. Made all the more special by a unique live performance. It doesn’t matter that it’s from a French film from nearly a hundred years ago. You don’t have to know or understand everything. All you have to do is watch, listen, the way Helouise was feeling the story, the music, with her body just moving to it.

from left: Ryan Villamor (keyboards), Helouise La Harpe (electric harp) and Aldous Castro (percussion) played for France’s L’INHUMAINE (1923). The 11th Intl. Silent Film Festival Manila ran from Aug. 31- Sept.3, 3017 at the Shang Cineplex, Shang Plaza Mall, Mandaluyong City. Entrance was free on a first come first served basis. Photo by Jude Bautista

Apart from the electric harp and her sexy moves, Helouise hid her most emotional tool: her voice, for the climactic scenes, including one dialogue where she sang as Claire spoke of love. There was an incredible applause after the film as she enchanted everyone in the cinema.

Helouise La Harpe (electric harp/vocals); The 11th Intl. Silent Film Festival Manila ran from Aug. 31- Sept.3, 3017 at the Shang Cineplex, Shang Plaza Mall, Mandaluyong City. Entrance was free on a first come first served basis. Photo by Jude Bautista

from left: French Press Attaché Camille Conde, Helouise La Harpe, Aldous Castro, French Audio Visual Attaché Martin Macalintal & Ryan Villamor. The 11th Intl. Silent Film Festival Manila ran from Aug. 31- Sept.3, 3017 at the Shang Cineplex, Shang Plaza Mall, Mandaluyong City. Entrance was free on a first come first served basis. Photo by Jude Bautista

She is of French and Vietnamese descent. Her name is pronounced (with a silent H in the beginning) EH-LOO-WEES LA-HARP. Emb of France Audio Visual Attaché Martin Macalintal ‘discovered’ her while performing at the Makati Shang Rila Hotel’s French Week. He has earned high praises for acquiring her talents for the Intl Silent Film Festival Manila.

Ryan Villamor (keyboards); The 11th Intl. Silent Film Festival Manila ran from Aug. 31- Sept.3, 3017 at the Shang Cineplex, Shang Plaza Mall, Mandaluyong City. Entrance was free on a first come first served basis. Photo by Jude Bautista

We converged in our favorite bar downstairs BROTZEIT, which has German, European and a lot of unique beers on tap as well as the best German cuisine. This is where Ryan Villamor spoke of ‘controlled improvisation’. Each musician had instructions on the mood and sound for the sequences at the same time the element of jazz gave them space to improvise.

Artist Allan Cosio had an impromptu portraiture of Helouise La Harpe at Brotzeit. The 11th Intl. Silent Film Festival Manila ran from Aug. 31- Sept.3, 3017 at the Shang Cineplex, Shang Plaza Mall, Mandaluyong City. Entrance was free on a first come first served basis. Photo by Jude Bautista

Evidence of the power of Helouise’ performance, renowned abstract painter and portraitist Allan Cosio was so moved he gifted her with an impromptu sketch at BROTZEIT. He instructed Helouise to pose across the table. In a few minutes of strokes in charcoal he was able to produce a portrait that she warmly treasured.

Artist Allan Cosio had an impromptu portraiture of Helouise La Harpe at Brotzeit. The 11th Intl. Silent Film Festival Manila ran from Aug. 31- Sept.3, 3017 at the Shang Cineplex, Shang Plaza Mall, Mandaluyong City. Entrance was free on a first come first served basis. Photo by Jude Bautista

Cosio also happens to be the father of Ina Avellana-Cosio of the FDCP and Intl. Silent film Festival Manager. Ina’s grandfather on her mother’s side is National Artist for Film Lamberto Avellana.

All in all it was a magical night that started with controlled improvisation in the cinema and ended with an impromptu portrait session in BROTZEIT.

from left: Japan Foundation Prog. Coordinator Roland Samson, Patrick Pulumbarit, PIA Translator Cristina Moricca, French Press Attaché, Aldous Castro, French Audio Visual Attaché, ISFFM Mgr / FDCP Officer Ina Avellana Cosio and PARA SA SINING Dir. Micah Pinto. The 11th Intl. Silent Film Festival Manila ran from Aug. 31- Sept.3, 3017 at the Shang Cineplex, Shang Plaza Mall, Mandaluyong City. Entrance was free on a first come first served basis. Photo by Jude Bautista

scene from Anthony Aquith’s UNDERGROUND (1928) from United Kingdom. The 11th Intl. Silent Film Festival Manila ran from Aug. 31- Sept.3, 3017 at the Shang Cineplex, Shang Plaza Mall, Mandaluyong City. Entrance was free on a first come first served basis. Photo by Jude Bautista

UNDEGROUND from the British Council with GOODLEAF

Anthony Asquith’s UNDERGROUND may have been the most technologically advanced (as far as camera work) not just in this batch but from the silent era. The quality of the digital restoration also seems better than films of later eras in the 30s or 40s for example. I’m unsure how much of it was the restoration or the image quality the filmmakers were able to achieve. Whichever the case UNDERGROUND was certainly ahead of its time.

British Council Dir. Nicholas Thomas; The 11th Intl. Silent Film Festival Manila ran from Aug. 31- Sept.3, 3017 at the Shang Cineplex, Shang Plaza Mall, Mandaluyong City. Entrance was free on a first come first served basis. Photo by Jude Bautista

Asquith was able to build suspense and emphasize emotion through camera movement, even editing. This was not commonly utilized in most silent film. The underground station will seem very familiar to today’s audiences. Its mind boggling to think that the underground has celebrated its centenary and is still very much in use today as it was back then. The tunnels to the trains, factories, even the power plant shows a London that was the very first industrialized city/nation in the world.

GOODLEAF played for United Kingdom’s UNDERGROUND (1928). The 11th Intl. Silent Film Festival Manila ran from Aug. 31- Sept.3, 3017 at the Shang Cineplex, Shang Plaza Mall, Mandaluyong City. Entrance was free on a first come first served basis. Photo by Jude Bautista

The very urban, industrialized theme of the film is perfect for the synth and electronic sound of GOODLEAF. Their sound is a rich combination of electronica and even reggae. This is a combination most commonly heard in the 1980s not unlike British band from the era: UB40. But GOODLEAF has its own updated twist with trip-hop and has their young fans that were also drawn to the screening. Their music gives the viewing experience of UNDERGROUND a more current interpretation that helps people today appreciate the film in a way they normally wouldn’t.

GOODLEAF’s Jolly Navarro (keyboards); The 11th Intl. Silent Film Festival Manila ran from Aug. 31- Sept.3, 3017 at the Shang Cineplex, Shang Plaza Mall, Mandaluyong City. Entrance was free on a first come first served basis. Photo by Jude Bautista

GOODLEAF from left: Cliff Pama (guitar), British Council Head of Arts & Creative Industries Malaya Del Rosario, Jas Sonido (drummer), Edy Varde (guitar), Marco Hautea (bass), British Council Dir. Nicholas Thomas, Ranjit Alabos (synth), Jolly Navarro (keyboards), Ryan Goan (guitars). The 11th Intl. Silent Film Festival Manila ran from Aug. 31- Sept.3, 3017 at the Shang Cineplex, Shang Plaza Mall, Mandaluyong City. Entrance was free on a first come first served basis. Photo by Jude Bautista

Ernesto Vilches in Spain’s EL GOLFO (1918); The 11th Intl. Silent Film Festival Manila ran from Aug. 31- Sept.3, 3017 at the Shang Cineplex, Shang Plaza Mall, Mandaluyong City. Entrance was free on a first come first served basis. Photo by Jude Bautista

EL GOLFO from Instituto Cervantes with Talahib

El Golfo from Spain on the other hand pulls on the heartstrings. Ernesto is a street urchin who turns his life around and makes good abroad. This is similar to the OFW stories here in the Philippines. The drama comes when he tries to win back his childhood love whose parents supported his education and success abroad.

Talahib’s Burn Belacho (flute/guitars); The 11th Intl. Silent Film Festival Manila ran from Aug. 31- Sept.3, 3017 at the Shang Cineplex, Shang Plaza Mall, Mandaluyong City. Entrance was free on a first come first served basis. Photo by Jude Bautista

The combination of the film with band Talahib was very successful. Talahib uses native instruments like the hegalong along with drums, guitars and chimes. So the original Filipino sound mixed with the Spanish film results in something unique but at the same time we’re used to since the Philippines is a product of all these influences.

TALAHIB from left: James De Vera (percussion), Banjo Agustin (guitar/vocals). The 11th Intl. Silent Film Festival Manila ran from Aug. 31- Sept.3, 3017 at the Shang Cineplex, Shang Plaza Mall, Mandaluyong City. Entrance was free on a first come first served basis. Photo by Jude Bautista

Spanish First Sec. Guillermo Escribano; The 11th Intl. Silent Film Festival Manila ran from Aug. 31- Sept.3, 3017 at the Shang Cineplex, Shang Plaza Mall, Mandaluyong City. Entrance was free on a first come first served basis. Photo by Jude Bautista

For Pinoy viewers the subtitles in Spanish had a lot of words in the Filipino language, so there’s that also that common bond. From everyday words like hijo, hija, noche, amigo to longer words like ignorante, origen, memoria, la muerte.

scene from Spain’s EL GOLFO (1918); The 11th Intl. Silent Film Festival Manila ran from Aug. 31- Sept.3, 3017 at the Shang Cineplex, Shang Plaza Mall, Mandaluyong City. Entrance was free on a first come first served basis. Photo by Jude Bautista

The band is composed of vocalist Janis Ann Añonuevo, Noel Taylo (percussion), Burn Belacho (guitar, hegalong), Mark Estandarte (bass), Domeng Molina (percussion), Jones De Vera (percussion), Darrel Roberto (drums) and Max Celada (percussion).

TALAHIB from left: James De Vera (percussion), Banjo Agustin (guitar/vocals), Jaime Hernandez (Artist Mgr), Burn Belacho (lead guitar/flute), Spanish First Sec. Guillermo Escribano, Karl Ramirez (keyboard), Max Celada (percussion), Inst Cervantes Cultural Affairs Head Jose Fons, Daniel Roberto (Drums) and LJ Pasion (bass). The 11th Intl. Silent Film Festival Manila ran from Aug. 31- Sept.3, 3017 at the Shang Cineplex, Shang Plaza Mall, Mandaluyong City. Entrance was free on a first come first served basis. Photo by Jude Bautista

Percussionist Max Celada is also a member of the esteemed theater group Tanghalang Pilipino along with partner Sheenly Gener. I was able to photograph the couple on the last day of the ISFFM in Shang.

Talahib’s Max Celada (percussion); The 11th Intl. Silent Film Festival Manila ran from Aug. 31- Sept.3, 3017 at the Shang Cineplex, Shang Plaza Mall, Mandaluyong City. Entrance was free on a first come first served basis. Photo by Jude Bautista

Sheenly was not able to catch Max’s performance with Talahib because she was shooting a film entitled SI APPLE, SI CHEDENG AT SI ELVIE. The Cinema One produced film has Gloria Diaz and Elizabeth Oropesa as its stars co directed by Rae Red and Fatrick Tabada. Sheenly can also be seen in the upcoming DORMITORYO in QCinema directed by Emerson Reyes.

from left: PDI writer Totel De Jesus, TP actors and couple Sheenly Gener and Max Celada also of Talahib. The 11th Intl. Silent Film Festival Manila ran from Aug. 31- Sept.3, 3017 at the Shang Cineplex, Shang Plaza Mall, Mandaluyong City. Entrance was free on a first come first served basis. Photo by Jude Bautista

TALAHIB played for Spain’s EL GOLFO (1918); The 11th Intl. Silent Film Festival Manila ran from Aug. 31- Sept.3, 3017 at the Shang Cineplex, Shang Plaza Mall, Mandaluyong City. Entrance was free on a first come first served basis. Photo by Jude Bautista

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French Cultural Counselor Yves Soberman; The 11th Intl. Silent Film Festival Manila ran from Aug. 31- Sept.3, 3017 at the Shang Cineplex, Shang Plaza Mall, Mandaluyong City. Entrance was free on a first come first served basis. Photo by Jude Bautista

Jaque Catelain (Einar) in France’s L’INHUMAINE (1923). The 11th Intl. Silent Film Festival Manila ran from Aug. 31- Sept.3, 3017 at the Shang Cineplex, Shang Plaza Mall, Mandaluyong City. Entrance was free on a first come first served basis. Photo by Jude Bautista

Aldous Castro (percussion); The 11th Intl. Silent Film Festival Manila ran from Aug. 31- Sept.3, 3017 at the Shang Cineplex, Shang Plaza Mall, Mandaluyong City. Entrance was free on a first come first served basis. Photo by Jude Bautista

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Talahib’s Daniel Roberto (Drums); The 11th Intl. Silent Film Festival Manila ran from Aug. 31- Sept.3, 3017 at the Shang Cineplex, Shang Plaza Mall, Mandaluyong City. Entrance was free on a first come first served basis. Photo by Jude Bautista

Talahib’s Burn Belacho (flute/guitars); The 11th Intl. Silent Film Festival Manila ran from Aug. 31- Sept.3, 3017 at the Shang Cineplex, Shang Plaza Mall, Mandaluyong City. Entrance was free on a first come first served basis. Photo by Jude Bautista

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GOODLEAF’s Marco Hautea (bass); The 11th Intl. Silent Film Festival Manila ran from Aug. 31- Sept.3, 3017 at the Shang Cineplex, Shang Plaza Mall, Mandaluyong City. Entrance was free on a first come first served basis. Photo by Jude Bautista

Best buds from left: Cyril Constantino, Roland Samson, Camille Conde and Dems Angeles. The 11th Intl. Silent Film Festival Manila ran from Aug. 31- Sept.3, 3017 at the Shang Cineplex, Shang Plaza Mall, Mandaluyong City. Entrance was free on a first come first served basis. Photo by Jude Bautista

GOODLEAF from left: Edy Varde (guitar) and Ryan Goan (guitars). The 11th Intl. Silent Film Festival Manila ran from Aug. 31- Sept.3, 3017 at the Shang Cineplex, Shang Plaza Mall, Mandaluyong City. Entrance was free on a first come first served basis. Photo by Jude Bautista

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scene from Anthony Aquith’s UNDERGROUND (1928) from United Kingdom. The 11th Intl. Silent Film Festival Manila ran from Aug. 31- Sept.3, 3017 at the Shang Cineplex, Shang Plaza Mall, Mandaluyong City. Entrance was free on a first come first served basis. Photo by Jude Bautista

GOODLEAF’s Ranjit Alabos (synth); The 11th Intl. Silent Film Festival Manila ran from Aug. 31- Sept.3, 3017 at the Shang Cineplex, Shang Plaza Mall, Mandaluyong City. Entrance was free on a first come first served basis. Photo by Jude Bautista

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Artist Allan Cosio had an impromptu portraiture of Helouise La Harpe at Brotzeit. The 11th Intl. Silent Film Festival Manila ran from Aug. 31- Sept.3, 3017 at the Shang Cineplex, Shang Plaza Mall, Mandaluyong City. Entrance was free on a first come first served basis. Photo by Jude Bautista

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RIVERMAYA, SANDWICH Play to Dietrich and Lulu

Marlene Dietrich in the scene that made her into a star in SHANGHAI EXPRESS (1932)

Written by

Jude Bautista

Men wished to lay fortunes at her feet, and celebrities vied with each other to be seen and photographed with her. Tribute was collected from men of rank and fame, the most famous actors wished to have her as their partner, producers and directors couldn’t wait until they could work with her, and her circle increased to include the top writers and creators of her day. Dukes and generals and even the heads of nations wanted her to grace their tables. One journalist, quoted in one of the many books devoted to her, not only raved about her beauty but ‘rated her brains on a par with those of Napoleon, Caesar, Mussolini and Lenin’. Opposed to this pinnacle of glory was her position on my stage. Here was no enthusiast, but a cold-eyed mechanic critical of every movement.

Portrait of Marlene Dietrich for ANGEL directed by Ernst Lubitsch, 1937

If there was any flattery, it was concentrated in a ‘That’s fine, it will do.’ More often she listened to ‘Turn your shoulders away from me and straighten out … Drop your voice an octave and don’t lisp … Count to six and look at that lamp as if you could no longer live without it…Stand where you are and don’t move; the lights are being adjusted’.” One gets the sense that von Sternberg loved the exposure and the success their relationship brought them, but his intimate relationship with Dietrich was becoming increasingly complex. Writer James Hancock describes the connection between screen icon and director in his article ‘The Brilliant Doomed Romance of Marlene Dietrich and Josef Von Sternberg’. The quote from Von Sternberg is from his autobiography FUN IN A CHINESE LAUNDRY.

From left: French Audio Visual Attaché Martin Macalintal, US Emb Public Affairs Officer Matt Keener, U.S. Asst. Cultural Affairs Jeanie Duwan, benshi Ichiro Kataoka, Japan Foundation Mla Dir. Hiroaki Uesugi, Shang Ri La Plaza Pres. & GM Lala Fojas, Italian Deputy Head of Mission Fabio Schina, PIA GM Alessandro Milani, British Council Head of Arts & Creative Industries Malaya Del Rosario, Austrian Emb Press & Cultural Officer Zelpha Bombais, Inst Cervantes Cultural Affairs Head Jose Fons and FDCP Exec Dir Wilfredo Manalang. The 11th Intl. Silent Film Festival is running from Aug. 31- Sept.3, 3017 at the Shang Cineplex, Shang Plaza Mall, Mandaluyong City. Entrance is free on a first come first served basis. Photo by Jude Bautista

Filipino audiences have the great privilege of catching a very rare screening of Marlene Dietrich’s early work CAFÉ ELECTRIK with live music by RIVERMAYA in the 11th Silent film festival for free on September 3rd, 3pm at the Shang Cineplex, Shang Rila Plaza Mall. Entry/ seats are available on a first come first served basis so check schedules and come an hour early.

The fest running from August 31 to September 3, 2017, features a total of 9 Silent films from 9 different countries accompanied by esteemed musicians from the local scene. Opening the fest is EL GOLFO (1918) from Spain- Instituto Cervantes on 8 PM August 31 with music by TALAHIB.

(center) Instituto Cervantes Director Carlos Madrid with TALAHIB from left: Jaime Hernandez and Burn Belacho; The 11th Intl. Silent Film Festival is running from Aug. 31- Sept.3, 3017 at the Shang Cineplex, Shang Plaza Mall, Mandaluyong City. Entrance is free on a first come first served basis. Photo by Jude Bautista

September 1st has Anthony Asquith’s UNDERGROUND (7:30 PM) from the U.K.- British Council with music by GOODLEAF; THE NEW ENCHANTMENT (9:30 PM) from France accompanied by Helouise La Harpe. September 2nd has A PERFECT FAMILY (3 PM) from Italy- Philippine Italian Association / Emb. of Italy with live score by TOM’S STORY; Yasujiro Ozu’s DRAGNET GIRL (5:30PM) from Japan – Japan Foundation with live narration from benshi Ichiro Kataoka and music by THE CELSO ESPEJO RONDALLA; Gym Lumbera’s TAGLISH (8PM) from the Philippines – FILM DEVELOPMENT COUNCIL OF THE PHILIPPINES with music by KAPITAN KULAM. September 3rd has CAFÉ ELECTRIK (3PM) from Austria with music by RIVERMAYA; PANDORA’S BOX (5:30 PM) from Germany – Goethe Institut Philippinen with music by SANDWICH and Buster Keaton’s THE GENERAL (8PM) from the U.S.A with music from FLIPPIN SOUL STOMPERS.

September 2nd – Yasujiro Ozu’s DRAGNET GIRL (5:30PM) from Japan – Japan Foundation with live narration from benshi Ichiro Kataoka and music by THE CELSO ESPEJO RONDALLA. The 11th Intl. Silent Film Festival is running from Aug. 31- Sept.3, 3017 at the Shang Cineplex, Shang Plaza Mall, Mandaluyong City. Entrance is free on a first come first served basis

MUST SEE from every country

Every title from every country has its own ‘must see’ attraction. The Japan Foundation for example will bring in a benshi or traditional narrator Ichiro Kataoka combined with the very Filipino classical musical sounds of THE CELSO ESPEJO RONDALLA. They will be performing to DRAGNET GIRL (1933) from one of Japan’s most revered filmmaker in Yasujiro Ozu.

EL GOLFO (1918) from Spain- Instituto Cervantes on 8 PM August 31 with music by TALAHIB. The 11th Intl. Silent Film Festival is running from Aug. 31- Sept.3, 3017 at the Shang Cineplex, Shang Plaza Mall, Mandaluyong City. Entrance is free on a first come first served basis.

The International Silent Film Festival Manila on its 11th edition has garnered some praise from abroad. Pordenone Silent Film Fest programmer and VARIETY film critic Jay Weissberg said, “One of the wonderful things about the festival in Manila is that everything is accompanied by live music exactly in the way these films were originally screened. Music too is an important part of any silent film. The program that you will be seeing is also exceptional. You have wonderful films, one of my favorites Anthony Asquith’s UNDERGROUND a truly terrific drama, thriller. The program goes beyond Europe and the United States of course Japan. And relatively more recent films from the Philippines prove that filmmakers even today are experimenting with the pure visual beauty of what it means to make a silent film as always with live music.”

September 2nd – Gym Lumbera’s TAGLISH (8PM) from the Philippines – FILM DEVELOPMENT COUNCIL OF THE PHILIPPINES with music by KAPITAN KULAM. The 11th Intl. Silent Film Festival is running from Aug. 31- Sept.3, 3017 at the Shang Cineplex, Shang Plaza Mall, Mandaluyong City. Entrance is free on a first come first served basis.

Weissberg is referring to the recent work of Gym Lumbera’s TAGLISH (2012) and from Filipino-Italian filmmaker Ruben Maria Soriquez: Una Familia Perfetta A PERFECT FAMILY (2017).

September 2nd – A PERFECT FAMILY (3 PM) from Italy- Philippine Italian Association / Emb. of Italy with live score by TOM’S STORY. The 11th Intl. Silent Film Festival is running from Aug. 31- Sept.3, 3017 at the Shang Cineplex, Shang Plaza Mall, Mandaluyong City. Entrance is free on a first come first served basis

Two Female Icons Plus

Two countries have set themselves apart by having a strong female icon in their cast. Austria has CAFÉ ELECTRIK from 1929 with Marlene Dietrich. Viewers have the chance to see a rare glimpse of the screen legend before she achieved stardom.

STYLE ICONS left Louise Brooks and Marlene Dietrich

Dietrich is considered to be the ninth-greatest female star of classic Hollywood cinema as ranked by the American Film Institute. In the same list on the male side is Buster Keaton ranked 21. One of Keaton’s biggest films THE GENERAL (1926) is also part of this fest as an entry from the U.S.. Soul and funk music from FLIPPIN SOUL STOMPERS will accompany the biggest budget action comedy movie of its era.

September 3rd – Buster Keaton’s THE GENERAL (8PM) from the U.S.A with music from FLIPPIN SOUL STOMPERS. The 11th Intl. Silent Film Festival is running from Aug. 31- Sept.3, 3017 at the Shang Cineplex, Shang Plaza Mall, Mandaluyong City. Entrance is free on a first come first served basis.

SANDWICH; FUSION the 1st Phil. Music Festival was held January 30, 2015 just 5 days after the Mamasapano Clash. Photo by Jude Bautista

The second female icon is from a German film: Louise Brooks (as Lulu) stars in George Wilhelm Pabst’s PANDORA’S BOX (1929). Goethe Institut Philippinen has likewise chosen a high stature band in SANDWICH to provide the live score. Both RIVERMAYA and SANDWICH are established Filipino bands with a long list of hits. RIVERMAYA guitarist/vocals Mike Elgar has said that they will be choosing from their library of music and play the best songs to fit the soundtrack for CAFÉ ELECTRIK.

Rivermaya – Mike Elgar; RWM’s Grand Countdown at the Newport Plaza Mall, Dec. 31, 2015. Photo by Jude Bautista

First Female-to-Female Kiss

Marlene Dietrich was born in December 27, 1901 in Schöneberg, now a district of Berlin. Her screen name is a combination of her given name Marie Magdalene with a nickname Lena. So the pronunciation is MAR-LEE-NA. She came from a cabaret background in 1920s Berlin that was a more open and tolerant scene.

Marlene Dietrich in MOROCCO (1930)

She was used to wearing men’s clothes. She made quite a splash with her Hollywood film MOROCCO (1930) wearing a tuxedo, top hat and tails. She capped off those moments with the first ever female-to-female kiss in the lips on the silver screen. The 30s were also the time when talkies became popular where sound had accompanied film.

Marlene Dietrich added beauty and pizzazz to men’s clothing.

Biographer Steven Bach said, “I still think that’s the most startling star introduction in the history of motion pictures. Marlene was the first great star to be created in the sound era. And how did he (Josef Von Sternberg) do it? She sings a French song from the turn of the century, dressed in men’s clothes. Turns, gives a very obvious lesbian kiss to another woman…This was the Marlene Dietrich he wanted us to remember.”

Marlene Dietrich and director Josef Von Sternberg

Later on she would deny ever making a silent era film, although she did at least two in Europe. She eschewed being identified with the older silent era stars. “Only Garbot and Gish made silent films , I never..” That’s why her appearance here in the Austrian made CAFÉ ELECTRIK is a very special and rare opportunity for Filipino audiences. They will be able to compare her performance from that time to her more popular and known film work.

Marlene Dietrich in MOROCCO (1930)

Sandwich from left: Mong Alcaraz and Raimund Marasigan performed KAGULO from latest album DEBRIS. PALAKASIN ANG OPM COLLAB Sessions first 12-hour OPM festival was held at the Bonifacio High Street Amphitheatre, Bonifacio Global City Taguig last March 14, 2015. Photo by Jude Bautista

“Adult Themed”

PANDORA’S BOX in 1929 actually predated MOROCCO and was more significant going beyond a mere kiss. Louise Brooks was an American who was cast in a German production. Director George Wilhelm Pabst describes her, “Brooks had both innocence and the ability to project sexuality without coyness or premeditation.” And for the character of Lulu, this magical combination was essential. [From: The Style Essentials: Louise Brooks written by Kimberley Truhler]

Louise Brooks in PANDORA’S BOX, September 3rd (5:30 PM) from Germany – Goethe Institut Philippinen with music by SANDWICH. The 11th Intl. Silent Film Festival is running from Aug. 31- Sept.3, 3017 at the Shang Cineplex, Shang Plaza Mall, Mandaluyong City. Entrance is free on a first come first served basis.

It would be years later when PANDORA’S BOX would be recognized for breaking barriers: “This film is notable for its frank treatment of modern sexual mores, including one of the first screen portrayals of a lesbian. Brooks then starred in the controversial social drama Diary of a Lost Girl (1929), based on the book by Margarete Böhme and also directed by Pabst, and Miss Europe (1930) by Italian director Augusto Genina, the latter being filmed in France, and having a famous surprise ending. All these films were heavily censored, as they were very “adult” and considered shocking in their time for their portrayals of sexuality, as well as their social satire.” [From: Louise Brooks Wikiwand]

Louise Brooks in PANDORA’S BOX, September 3rd (5:30 PM) from Germany – Goethe Institut Philippinen with music by SANDWICH. The 11th Intl. Silent Film Festival is running from Aug. 31- Sept.3, 3017 at the Shang Cineplex, Shang Plaza Mall, Mandaluyong City. Entrance is free on a first come first served basis.

Creatively PANDORA’S BOX was also considered as a landmark achievement in terms of the visuals. The lighting, mood made it a precursor to the famous film noir genre. Kimberley Truhler writes, “G.W. Pabst is a legend of early cinema. The composition of his shots was elegant and ahead of its time, especially when combined with the lighting of cinematographer Gunther Krampf. Together they used shadows to create drama and, especially toward the end of Pandora’s Box, a somewhat sinister mood. Some scenes in the movie included filtering light through window blinds, which would later become a staple of film noir style. In the 1930s, directors like Josef von Sternberg continued to refine the look; his cinematography with Lee Garmes and James Wong Howe for 1932’s Shanghai Express, for example, shows even more of the evolution. And when film noir hit its stride in the 1940s, directors Billy Wilder (Double Indemnity), Carol Reed (The Third Man), Michael Curtiz (Mildred Pierce), and Alfred Hitchcock (Notorious) all admitted their admiration for Pabst and Pandora’s Box. “There’s no question,” says Film Noir Foundation founder Eddie Muller, “that German Expressionism was one of the strongest roots from which film noir grew.” [ from: The Style Essentials: Louise Brooks written by Kimberley Truhler]

Louise Brooks in PANDORA’S BOX, September 3rd (5:30 PM) from Germany – Goethe Institut Philippinen with music by SANDWICH. The 11th Intl. Silent Film Festival is running from Aug. 31- Sept.3, 3017 at the Shang Cineplex, Shang Plaza Mall, Mandaluyong City. Entrance is free on a first come first served basis.

Bob Cut and Jean Patou

Louise Brooks had a unique style all her own. She had a very distinctive short bob cut that became a trend and was copied by other actresses of her time. But its impact can still be seen today, such as Katie Holmes and Linda Evangelista. “Other fashion trends that stem from the movie include Jean Patou’s tank dress, which became a staple of 1930s style and resurged in popularity once again in the 1990s. Pandora’s Box fan Calvin Klein included them in collection after collection that decade. And Prada is still remembered for dressing Uma Thurman in one for the 1995 Academy Awards. At this year’s Oscars, we saw another 20s-30s trend with jewelry draped down the back of some stars, which brought to mind Patou’s bejeweled razor back dress for Lulu.”

[ from: The Style Essentials: Louise Brooks written by Kimberley Truhler]

Louise Brooks in PANDORA’S BOX, September 3rd (5:30 PM) from Germany – Goethe Institut Philippinen with music by SANDWICH. The 11th Intl. Silent Film Festival is running from Aug. 31- Sept.3, 3017 at the Shang Cineplex, Shang Plaza Mall, Mandaluyong City. Entrance is free on a first come first served basis.

The same article continues, “Lending to Lulu’s seduction are the all-important costumes of Pandora’s Box. Though the wardrobe was overseen by (and credited to) Art Director Gottleib Hesch, Louise’s clothes were courtesy of Jean Patou. Patou is one of the legendary European couturiers of the early 20th century, already dressing Louise and other international stars such as Gloria Swanson both onscreen and off. Along with Coco Chanel, he is considered the inventor of our modern casual attire, especially in the area of sportswear.”

Louise Brooks in PANDORA’S BOX, September 3rd (5:30 PM) from Germany – Goethe Institut Philippinen with music by SANDWICH. The 11th Intl. Silent Film Festival is running from Aug. 31- Sept.3, 3017 at the Shang Cineplex, Shang Plaza Mall, Mandaluyong City. Entrance is free on a first come first served basis.

Rivermaya-Mark Escueta; RWM’s Grand Countdown at the Newport Plaza Mall, Dec. 31, 2015. Photo by Jude Bautista

Portrait of Marlene Dietrich by Cecil Beaton, 1935

Sewing Circle

Both Louise Brooks and Marlene Dietrich were known to have many lovers, men and women. But they seem to prefer men, having a greater number and more intimate male sexual relationships. Dietrich’s biographers seem to agree with this and in Brooks’ case her own memoirs.

But it’s the lesbian angle that seems to titillate a lot of fans, even historians who have studied their lives. For example, Dietrich’s female lovers have included a lot of high society names, movers and shakers in Hollywood.

from left: Barbara Stanwyck, Gary Cooper, Errol Flynn, and Lili Damita, 1930’s

“Sewing circle was a phrase used by Dietrich to describe the underground, closeted lesbian and bisexual film actresses and their relationships in Hollywood. In the supposed “Marlene’s Sewing Circle” are mentioned the names of other close friends such as Ann Warner (the wife of Jack L. Warner, one of the owners of the Warner studios), Lili Damita (an old friend of Marlene’s from Berlin and the wife of Errol Flynn), Claudette Colbert, and Dolores del Río (whom Dietrich considered the most beautiful woman in Hollywood). The French singer Edith Piaf was also one of Dietrich’s closest friends during her stay in Paris in the 1950s, and always rumored something more than friendship between them.” [From: Marlene Dietrich- wikiwand.com]

Portrait of Dolores del Rio in THE FUGITIVE directed by John Ford, 1947

Neither Bi nor Lesbian

The sources for most of Dietrich’s intimate details of her life are from her daughter Maria Riva who wrote tell all book and biographer Steven Bach. Brooks however, was more open about her past, with a few interviews and even through her own writing.

Keene Thompson reads to Louise Brooks on the set of NOW WE’RE IN THE AIR directed by Frank R. Strayer, 1927

“Brooks enjoyed fostering speculation about her sexuality, cultivating friendships with lesbian and bisexual women including Pepi Lederer and Peggy Fears, but eschewing relationships. She admitted to some lesbian dalliances, including a one-night stand with Greta Garbo. She later described Garbo as masculine but a “charming and tender lover”. Despite all this, she considered herself neither lesbian nor bisexual:

Portrait of Greta Garbo for Mata Hari directed by George Fitzmaurice, 1931. Photo by Clarence Sinclair Bull

I had a lot of fun writing ‘Marion Davies’ Niece’ [an article about Pepi Lederer], leaving the lesbian theme in question marks. All my life it has been fun for me. … When I am dead, I believe that film writers will fasten on the story that I am a lesbian… I have done lots to make it believable […] All my women friends have been lesbians. But that is one point upon which I agree positively with [Christopher] Isherwood: There is no such thing as bisexuality. Ordinary people, although they may accommodate themselves, for reasons of whoring or marriage, are one-sexed. Out of curiosity, I had two affairs with girls – they did nothing for me [From: Louise Brooks – wikiwand.com ]

Louise Brooks in PANDORA’S BOX, September 3rd (5:30 PM) from Germany – Goethe Institut Philippinen with music by SANDWICH. The 11th Intl. Silent Film Festival is running from Aug. 31- Sept.3, 3017 at the Shang Cineplex, Shang Plaza Mall, Mandaluyong City. Entrance is free on a first come first served basis.

Sandwich from left: Raimund Marasigan, OPM VP Noel Cabangon, Diego Castillo and Mong Alcaraz. PALAKASIN ANG OPM COLLAB Sessions first 12-hour OPM festival was held at the Bonifacio High Street Amphitheatre, Bonifacio Global City Taguig last March 14, 2015. Photo by Jude Bautista

Dietrich’s Modern Marriage

Dietrich however, had a rapacious sexual appetite that would make Madonna look ‘Like A Virgin’. Brooks was more just unlucky in love. She was unable to marry the great love of her life in George Marshall. Brooks became a noted film critic and writer later on.

left-Madonna idolized, Marlene Dietrich and included her in the song VOGUE

In 1923 Dietrich married Rudolph Sieber and had her daughter Maria a year later. Maria Riva in an interview for the documentary NO ANGEL – A LIFE OF MARLENE DIETRICH, said, “Ménage trois we understand. But ménage quatre (4) and ménage cinq (5) was very normal in our house.” Steven Bach added, “Dietrich had a famous affair with Douglas Fairbanks and it was reported the two moved in with Rudy (Sieber) and his girl friend. These two were modern people even by today’s standards”.

NO ANGEL – A LIFE OF MARLENE DIETRICH

Dietrich would even show the letters of her lovers to Sieber. He would have a mistress later on in life with the knowledge of Marlene who at one time brought them to California. Sieber and Dietrich although living apart, would remain formally married until the time of his death in 1976.

Marlene Dietrich and director Josef Von Sternberg

In 1930 she made her first film with Josef Von Sternberg, THE BLUE ANGEL and the same year MOROCCO. The brilliant director was madly in love with her. The problem was she tended to have affairs with co-stars, which broke his heart. They continued to make films 7 in total, some argue is the most successful team up of actor director creatively. Their best work was undoubtedly with each other as Dietrich shot to stardom after MOROCCO.

Portrait of Marlene Dietrich in MOROCCO directed by Josef Von Sternberg, 1930

War Efforts

Because of her fame the Third Reich had offered Dietrich to come back home to Germany and produce propaganda films. To this Dietrich flatly refused despising what the Nazis had done to her homeland.

“In the late 1930s, Dietrich created a fund with Billy Wilder and several other Germans to help Jews and dissidents escape from Germany. In 1937, her entire salary for Knight Without Armor ($450,000) was put into escrow to help the refugees. In 1939, she became an American citizen and renounced her German citizenship. In December 1941, the U.S. entered World War II, and Dietrich became one of the first celebrities to help sell war bonds. She toured the US from January 1942 to September 1943 (appearing before 250,000 troops on the Pacific Coast leg of her tour alone) and was reported to have sold more war bonds than any other star.”

From left: Jean Gabin, Marlene Dietrich and Lucien Nat in MARTIN ROUMAGNAC directed by George Lacombe, 1946

“During two extended tours for the USO in 1944 and 1945, she performed for Allied troops in Algeria, Italy, the UK and France, then went into Germany with Generals James M. Gavin and George S. Patton. When asked why she had done this, in spite of the obvious danger of being within a few kilometers of German lines, she replied, “aus Anstand”—”out of decency”. Wilder later remarked that she was at the front lines more than Eisenhower.” [From: Marlene Dietrich- wikiwand.com]

from left: Eugene Pallette, Anna May Wong, Marlene Dietrich and Clive Brook for Shanghai Express directed by Josef von Sternberg, 1932

For the Cause

The documentary also dealt with her war efforts, “Narrator: It wasn’t just her talent she gave. Fact was she was willing to lay her body for the cause. A dedication extended to fulfilling the servicemen’s fantasies. [Footage of Dietrich surrounded by crowds of servicemen, sometimes crowd surfing them]

Marlene Dietrich as a former cabaret girl had perfect legs photos from movies (left) BLUE ANGEL, (right) MOROCCO.

Riva said, “It was part of the romanticism. If you were going to face death don’t you want to live one time? Really magnificently before you face death? Right? She felt that if a young man, a soldier from Arkansas, the South, somewhere, would sleep with a movie star who was beautiful and giving and loving. Was that not the proper way to prepare for the mourn of his demise?” Narrator: She didn’t restrict herself with enlisted men she had a long affair with James Gavin the youngest general in the army. He was described as a cross between ‘Henry Fonda and Gary Cooper’.

Portrait of Gary Cooper and Marlene Dietrich for MOROCCO directed by Josef Von Sternberg, 1930

Her affair with Gavin would be the cause of her rift with her long time lover, French man Jean Gabin. Even in later years she was still capable of seducing co-stars. “Ex lover Michael Todd directed AROUND THE WORLD IN 80 DAYS, the 54 year old Dietrich had 3 others in the cast who claimed to be her old flame: George Raft, David Niven and Frank Sinatra.”

Marlene Dietrich and Jean Gabin in MARTIN ROUMAGNAC directed by George Lacombe, 1946

Proudest Accomplishment

For her War efforts Dietrich received the Medal of Freedom, from the U.S. in November 1947. She said this was her proudest accomplishment. She was also awarded the Légion d’honneur by the French government for her wartime work. She would become the first woman and German to receive the Israeli Medallion of Valor in 1965, “in recognition for her courageous adherence to principle and consistent record of friendship for the Jewish people”.

Dietrich was the true embodiment of glamor. To this day we continue to be fascinated with her work in film, as singer and recording artist but even more with how she lived her extraordinary life.

Portrait of Marlene Dietrich by George Hurrell, 1938

The 11th International Silent Film Festival is made possible in partnership with Shangri-La Plaza, Para sa Sining, the National Film Center of The Museum of Modern Art of Tokyo, the Embassies of Italy, Japan, and Spain, Filmoteca de España, Institut Français, JEC Philippines and Marks & Spencer London . All screenings will be open to the public on a first come, first served basis. Watch and listen as we score the silents again!

For more information on the schedule and inquiries, please check our Facebook Page: http://www.facebook.com/InternationalSilentFilmFestivalManila or you may also check our websites:

Seated from left: US Emb Public Affairs officer Matt Keener, French Audio Visual Attaché Martin Macalintal, Inst Cervantes Dir Carlos Madrid, filmmaker Ruben Soriquez, PIA GM Alessandro Milani, Japan Foundation Mla Dir. Hiroaki Uesugi, FDCP Festival Dev. Lead Officer Jo Andrew Torlao, Austrian Emb Press & Cultural Officer Zelpha Bombais, British Council Head of Arts & Creative Industries Malaya Del Rosario, PARA SA SINING Dir. Micah Pinto standing from left: Harpist/vocalist Helouise La Harpe, Tom Naval w Chris De Guzman of TOM’S STORY, Elaine Espejo Cajucom of THE CELSO ESPEJO RONDALLA, Mike Escueta, Ryan Peralta, Nathan Azarcon and Mike Elgar of RIVERMAYA, Bing Austria of FLIPPIN SOUL STOMPERS, Burn Belacho and Jaime Hernandez of TALAHIB, Marco Hecolea and Ranjit Alabas of GOODLEAF, Animator Nikolo Salazar, Goethe Inst Prog Coordinator Shadin Kitma and SOUPSTAR Road Manager Ana Rizella Laura Flores. The 11th Intl. Silent Film Festival is running from Aug. 31- Sept.3, 3017 at the Shang Cineplex, Shang Plaza Mall, Mandaluyong City. Entrance is free on a first come first served basis. Photo by Jude Bautista

Greta Garbo in ANNA CHRISTIE directed by Clarence Brown, 1931

Embassy of Austria :

http://www.bmeia.gv.at/manila

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from left: French Audio Visual Attaché Martin Macalintal, RIVERMAYA’s Mike Elgar, Ryan Peralta, Austrian Emb Press & Cultural Officer Zelpha Bombais and Nathan Azarcon. The 11th Intl. Silent Film Festival is running from Aug. 31- Sept.3, 3017 at the Shang Cineplex, Shang Plaza Mall, Mandaluyong City. Entrance is free on a first come first served basis. Photo by Jude Bautista

from left: Dolores del Río, Basil Rathbone, Gary Cooper and Lili Damita, 1930’s

Goethe-Institut Philippinen

https://www.goethe.de/manila

Embassy of France

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Embassy of the USA

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Rivermaya – Mike Elgar has selfie with fan. RWM’s Grand Countdown also had a stage at the Newport Plaza Mall, Dec. 31, 2015. Photo by Jude Bautista

Louise Brooks in PANDORA’S BOX, September 3rd (5:30 PM) from Germany – Goethe Institut Philippinen with music by SANDWICH. The 11th Intl. Silent Film Festival is running from Aug. 31- Sept.3, 3017 at the Shang Cineplex, Shang Plaza Mall, Mandaluyong City. Entrance is free on a first come first served basis.

The 11th International Silent Film Festival is made possible in partnership with Shangri-La Plaza, Para sa Sining, the National Film Center of The Museum of Modern Art of Tokyo, the Embassies of Italy, Japan, and Spain, Filmoteca de España, Institut Français, JEC Philippines and Marks & Spencer London . All screenings will be open to the public on a first come, first served basis. Watch and listen as we score the silents again!

Rivermaya – Norby David; RWM’s Grand Countdown at the Newport Plaza Mall, Dec. 31, 2015. Photo by Jude Bautista

Marlene Dietrich in THE SCARLET EMPRESS directed by Josef von Sternberg, 1934

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2nd from left OPM Pres. Ogie Alcasid poses w Sandwich from left: Diego Castillo, Mong Alcaraz, Raimund Marasigan and Mike Dizon. PALAKASIN ANG OPM COLLAB Sessions first 12-hour OPM festival was held at the Bonifacio High Street Amphitheatre, Bonifacio Global City Taguig last March 14, 2015. Photo by Jude Bautista

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Sandwich front man Raymond Marasigan wore a Michael Jackson jacket from Thriller. FUSION the 1st Phil. Music Festival was held January 30, 2015 just 5 days after the Mamasapano Clash. Photo by Jude Bautista

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Hoy! Say Moh! Soxie Topacio!

Soxie Topacio; SINGKWENTA PETA’s 50th Anniversary Concert was held April 7 & 8, 2017 at the PETA Theater Center. Photo by Jude Bautista

Written and photographed

By Jude Bautista

The first time I met Soxie Topacio was a few years back in PETA (Philippine Educational Theater Association). He was directing HIMALA the Musical and was there for a rehearsal. Naturally he was barking directions left and right. But as soon as you start talking to him he had a ready smile was warm and accommodating. Although the only time he could spare for a brief interview was through a cigarette break. I told him I remembered his work in DUPLEX on TV and that made him smile.

from left: Composer and Musical Director Vincent De Jesus, Angeli Bayani (Ensemble), Director Soxie Topacio, Ricky Lee (Librettist) and Bong Cabrera (Mayor). HIMALA The Musical had a successful 10th Anniversary run at PETA in March 24, 2013. Photo by Jude Bautista

When news broke last July 21, 2017 that Soxie Topacio had passed away from pneumonia and complications from lung cancer, I was genuinely shocked. I did not know that he was diagnosed with lung cancer as reported by PDI.

Soxie Topacio & Cynthia Guico; SINGKWENTA PETA’s 50th Anniversary Concert was held April 7 & 8, 2017 at the PETA Theater Center. Photo by Jude Bautista

During PETA’s 50th Anniversary in April he was in high spirits, hosting, singing on stage, I couldn’t imagine him being sick. Although I did notice he was wearing a hat that did hide the loss of his silver hair.

from right: Soxie Topacio, Joel Lamangan, Dessa Quesada-Palm, CB Garrucho, and Beng Cabangon. SINGKWENTA PETA’s 50th Anniversary Concert was held April 7 & 8, 2017 at the PETA Theater Center. Photo by Jude Bautista

But during Philstage’s GAWAD BUHAY awards in May, I did notice he was more frail. He seemed less energetic and didn’t even bother to wear a hat. That night was special because they were able to give a glowing tribute to the work of the consummate thespian, teacher, writer and director of stage, TV and film.

Soxie Topacio and nephew Rendell Topacio wait for the opening curtain. The 9th PHILSTAGE GAWAD BUHAY was held May 10, 2017 at the Tanghalang Aurelio Tolentino, CCP. Photo by Jude Bautista

A lot of credit should be given to PHILSTAGE Pres. Audie Gemora and the jury for having the foresight of giving him the NATATANGING GAWAD BUHAY award (Lifetime Achievement award). PHILSTAGE is an association which counts the most prestigious theater productions, dance groups and companies among its members. The PHILSTAGE jury consists of Vlad Bunoan, Gibbs Cadiz, Glenn Mas, Elka Requinta, Jovy Zarate, Ralph Galan, Steve Villaruz, Martin Lopez, Chantal Primero, Romano Jorge, Tats Manahan, Ricky Toledo, Chito Vijandre Cora Llamas, Vincent Gregory Yu, Fred Hawson and Philip Cu-Unjieng.

Clockwise from right: PETA Founder Cecile Guidote-Alvarez, Repertory Phil. Founder / Chair Emeritus Baby Barredo, Rep Pres. & CEO Mindy Perez-Rubio, PHILSTAGE Pres. Audie Gemora. The 9th PHILSTAGE GAWAD BUHAY was held May 10, 2017 at the Tanghalang Aurelio Tolentino, CCP. Photo by Jude Bautista

PETA was then able to produce an admirable tribute for that segment of the awards show. A wonderful script written by Phil Noble encapsulated Soxie’s colorful career. Which was brought to life by Norbs Portales, a young actor of PETA whom he had mentored. Norbs channeled his inner Soxie and portrayed the famous character Nene from DUPLEX and IT’S A DEAL. Shows that were enumerated by INTERAKSYON and also his most recent TV work.

Norbs Portales performed as Soxie Topacio in the role of Nene. The 9th PHILSTAGE GAWAD BUHAY was held May 10, 2017 at the Tanghalang Aurelio Tolentino, CCP. Photo by Jude Bautista

Nene or Neneng is the Filipino term for young girl, while Soxie at the time (80s) was an overweight gay man. So his TV name alone was comedy gold. Norbs used the flamboyant voice that made Soxie famous complete with replacing ‘s’ with th and z’s much like a homosexual Elmer Fudd from Looney Tunes.

right: Norbs Portales reminded us how hilariously funny Soxie was as a comedian. The 9th PHILSTAGE GAWAD BUHAY was held May 10, 2017 at the Tanghalang Aurelio Tolentino, CCP. Photo by Jude Bautista

We learned in such a casual, hilarious way how National Artist for film Lino Brocka was one of the people who helped Soxie break into TV and film. We learned how PETA founder Cecile Guidote-Alvarez inspired him and others to give of themselves and their art for the country.

National Artist for film Lino Brocka

We were laughing so hard that the message of his sacrifice and contributions went straight to our hearts. So it was really no surprise when the Ramon Magsaysay Awards considered as the Nobel Peace Prize of Asia, included among its awardees PETA- as an organization. The awardees were announced just this week, July 28. I don’t think it was a coincidence that Soxie Topacio passed away just over a week before.

A young Cecile Guidote established PETA in 1967. Soxie Topacio joined in 1969 at age 17 and was soon conducting theater and acting workshops in the remotest and poorest parts of the country.

God and man conspired to give Soxie a huge send off in recognition of his life and work. He would be so proud that PETA is honored in this way. He played no small part in that as member since 1969.

Soxie Topacio was given the NATATANGING GAWAD BUHAY. The 9th PHILSTAGE GAWAD BUHAY was held May 10, 2017 at the Tanghalang Aurelio Tolentino, CCP. Photo by Jude Bautista

Included below is the tribute during the Gawad Buhay awards written by Phil Noble and co-written / performed by Norbs Portales as Nene (Soxie’s famous TV character). Immediately after the performance by Norbs he called Soxie on stage who sang ALAY NG LUMIKHA, one of the PETA anthems with playwright Rody Vera and a half dozen members.

Soxie Topacio was given the NATATANGING GAWAD BUHAY. The 9th PHILSTAGE GAWAD BUHAY was held May 10, 2017 at the Tanghalang Aurelio Tolentino, CCP. Photo by Jude Bautista

Then also included below is Soxie’s acceptance speech where we learn from his own words his personal journey. He relates the experience of conducting (with other PETA members) acting workshops in war torn villages, victims and fighters for varying causes, even the urban poor. His speech puts everything into clear perspective. This is especially valid given Pres. Duterte’s most recent mindless, brash statement of ‘bombing Lumad schools’ as NPA sympathizers or hot bed of NPA recruitment. Soxie’s experiences in Cagayan De Oro and many other remote areas bring to light that they are themselves victims of violence.

PETA Pres. CB Garrucho; SINGKWENTA PETA’s 50th Anniversary Concert was held April 7 & 8, 2017 at the PETA Theater Center. Photo by Jude Bautista

Through his speech we find out exactly how and why PETA deserves the Ramon Magsaysay Award. Mother Soxie’s personal evolution and growth as teacher-artist is just one example of PETA’s mission.

Thank you to PHILSTAGE organizers of Gawad Buhay, Thank you Soxie Topacio, thank you and congratulations to PETA.

Read on enjoy, laugh, reflect and be inspired.

Norbs Portales performed as Soxie Topacio in the role of Nene. The 9th PHILSTAGE GAWAD BUHAY was held May 10, 2017 at the Tanghalang Aurelio Tolentino, CCP. Photo by Jude Bautista

GAWAD BUHAY/PETA Tribute

Written by Phil Noble

Norbs Portales as Soxie in the role of Nene

Hoy! Saaay mooooh?

Diyan talaga ako na kilala ng buong Pilipinas. Bilang si Nene noong 80s sa DUPLEX. Oy ako lang naman ang baklang kapitbahay ni Ading Fernando, also known as Daddy Groovy. Pang Gulo! Chismosa!! Laging bisita wala akong bahaay. Ang saya.

Norbs Portales performed as Soxie Topacio in the role of Nene. The 9th PHILSTAGE GAWAD BUHAY was held May 10, 2017 at the Tanghalang Aurelio Tolentino, CCP. Photo by Jude Bautista

Sa PETA talaga ako nagsimula. Fresh na fresh pa ko. Virgin na virgin. 17 years old ay ka tagal na yoon. Actually meron nagpakuha yung PETA meron daw event. Opening sa Paco park bibigyan ng award si Paul Dungol. Naku galit ako noon. Sabi ba naman ni Nonon Padilla, “Nasan na mga Putang Inang taga Araullo High School na yan?”

Aaay ayaw namin noon kami na inimbitahan kami pa yung minumura?

left: Soxie Topacio had an unforgettable run in with Theater director Nonon Padilla (right), in his first encounter with PETA.

Pero ganoon talaga sa PETA murahan. Ayon we taped, we performed. Tapos nung nasa U.P. nako nakasalubong ko si Nonon Padilla. Eto nagmura sakin noon e.

Do you study here?

O yung minura mo dati! Ano?

If you have time and you want to audition go to the 4th floor.

On video wall is Maryrose Raj who played Josephine Bracken in PETA’s RIZAL.

Haaa? Na tense naman akooh! Na punta ako ng Fort Santiago. Na star struck ako kasi yung gaganap na artista kay Jose Rizal si Dindo Fernando! Si Josephine Bracken, si Rosemary Raj! Ha! Join akoh.

Since then I stayed. In one season ang dami kong ginawa: nag SM ako, nag Sound ako,

Nag Voice ako at nag artista ako. Lahat yan sabay sabay nakakaloka!

Actress Melvi Pacubas, one of many teacher-artists like direk Soxie in the early years of PETA.

Ginagabi na kami, wala kaming sweldo. Humihingi lang ako ng pera sa Nanay at Tatay ko. Go!

Alam mo sunod sunod nakapag direk ako. Una ANG PIGING, 1973, at sunod sunod na. Mga memorable plays ko MAKLI-ING DULAG. Isipin niyo ha, sa opening scene pa lang sumisigaw na si Joel Lamangan, “Pumasok kayo! Pumasok kayo!”

from left: Me Ann Espinosa, Soxie Topacio, Mae Paner and Joel Lamangan; SINGKWENTA PETA’s 50th Anniversary Concert was held April 7 & 8, 2017 at the PETA Theater Center. Photo by Jude Bautista

Kaming mga audience Ha? Ha? Ha? Mga audience ka sali pala sa play!

Eto pa 1896 ang first true musical ng PETA. Pati si Ariel Rivera pina kanta ko!

On video wall is Ariel Rivera from PETA’s 1896.

MINSA’Y ISANG GAMO GAMO, first play ni Ate Guy. Pag pasok ba naman sa unang rehearsal, BOOM! Drop script na loka yung mga taga PETA di kinaya.

My friends in PETA sila talaga yung nagdala sakin sa mundo ng TV at pelikula.

Nora Aunor was cast in PETA’s MINSA’Y ISANG GAMO GAMO

Pano kamo e pag na busy sila, ENTER frame ako. Tumawag ang ABS ‘Yes hello busy po si direk Lino Brocka kayo lang po ang pwede pumalit sa kanya’. Tumawag ako kay Lino ano ito? Sabi naman ni Lino Brocka, “Oo lang ng oo tanggapin mo na.”

Sabi ko naman Ahh Ok sige. At nakapag sunod sunod na. Nakapag direk ako BABAE. Sunod sunod na sa TV kay Rosa Rosal, Tanghalan at nakapag direk na rin ako sa pelikula.

Norbs Portales performed as Soxie Topacio in the role of Nene. The 9th PHILSTAGE GAWAD BUHAY was held May 10, 2017 at the Tanghalang Aurelio Tolentino, CCP. Photo by Jude Bautista

Favorite ko siyempre DED NA SI LOLO na Oscar hehehe.

Kasi I have friends who gave me opportunities. And that made me.

PETA Mgt Committee seated from right: CB Garrucho, Maribel Legarda, Beng Cabangon, Queng Reyles, Marichu Belarmino and Anj Heruela. Standing from right: Bong Billones, Gail Billones, Leloi Arcete, Julie Bautista, Melvin Lee and Pamela Ovejas. SINGKWENTA PETA’s 50th Anniversary Concert was held April 7 & 8, 2017 at the PETA Theater Center. Photo by Jude Bautista

Alam niyo? Si Lino talaga ang dahilan kung pano ako naging Executive Director ng PETA. Pano kamo? Sabi niya, Hatiin natin ang organisasyon hindi pwedeng one man rule lang. So ako, si Gardy (Labad), si Nonon ako yung Executive Director so after 2 years tumawag ba naman sakin. Hello Soxie, busy ako ikaw na bahala sa PETA ha? Tawag ka na lang pag kelangan niyo ng pera.

Nakaka LOKA! Haaay! Haay! Hay!

Norbs Portales performed as Soxie Topacio in the role of Nene. The 9th PHILSTAGE GAWAD BUHAY was held May 10, 2017 at the Tanghalang Aurelio Tolentino, CCP. Photo by Jude Bautista

Pero ma kwento ko sa inyo. Mula sa pagiging stand up comedian, sa pagiging artista at sa pagiging director sa stage, sa TV, sa pelikula alam niyo kung ano ang inspirasyon koh? Ay mga bata kami sinabi ni Cecile sa amin:

“You only live once! Yan ba ang kontribusyon mo sa bayang ito???”

TI-NA-MA-AN akooh! HENDE ko naman na Entindihan! Asan na ngayon si Mama?

Honorees from left: Repertory Phil. Founder / Chair Emeritus Baby Barredo & PETA Founder Cecile Guidote-Alvarez. The 9th PHILSTAGE GAWAD BUHAY was held May 10, 2017 at the Tanghalang Aurelio Tolentino, CCP. Photo by Jude Bautista

Nag eskapo sa Amerika na iwan kami. Na wa kami lahat. Kelangan ko tuloy sa workshop e di workshop sa Cebu, sa Escalante, sa mga manggagawa. Naka salamuha sa lahat ng uri ng tao.

Ay doon ko lang na realize di pala pwedeng sarili lang. Hindi pwedeng ka eskwela lang, di pwedeng kapit bahay lang. DAPAT buooong bayaan?

Simula noon yon ang pinahahawakan ko sa LAHAT ng mga gawain ko.

Direk Soxie is grateful to all past and current PETA members. Each of them teacher-artists in their own right. SINGKWENTA PETA’s 50th Anniversary Concert was held April 7 & 8, 2017 at the PETA Theater Center. Photo by Jude Bautista

Ang sining ko ay para sa BAYAN KO.

At yon, yon ang panata ko.

Ako si Soxie Topacio, magandang gabi na lang sa inyooh!

AT tinatawagan ang totoong Soxie Topacio si Soxie Topacio!

Soxie Topacio was given the NATATANGING GAWAD BUHAY. The 9th PHILSTAGE GAWAD BUHAY was held May 10, 2017 at the Tanghalang Aurelio Tolentino, CCP. Photo by Jude Bautista

Soxie Topacio acceptance speech for the NATATANGING GAWAD BUHAY AWARD

Nais kong pa salamatan ang Philstage for giving me this award. Ang piliin ka ng kapwa mo Theater artist ay isang malaking karangalan para sa akin. Nais ko ring pa salamatan ang lahat naging kasapi ng PETA noon hanggang ngayon. Dahil kayo ang humubog sa aking pagkatao. Gayun din ang mga workshop participants ng PETA sa mga nagdaang maraming taon.

PHILSTAGE Pres. Audie Gemora & VP Maribel Legarda; The 9th PHILSTAGE GAWAD BUHAY was held May 10, 2017 at the Tanghalang Aurelio Tolentino, CCP. Photo by Jude Bautista

Bukod sa PETA nais kong pa salamatan ang mga ibang theater groups na naka trabaho ko. Tulad ng Gantimpala, U.P. Rep, Teatro Tomasino, Sining Kambayoka, U.E. Dramatic Club, Kulturang Atin Foundation at marami pang iba.

Actor / director Nonon Padilla, one of many teacher-artists like direk Soxie in the early years of PETA.

Noong sumali ako sa PETA ay 17 years old ako. That was the year 1969. Noong panahon na yon ang U.P. Campus ay punong puno ng mga kaganapan. Kabikabilang boycott, mass action, walk out. Eto ang tinaguriang First quarter storm.

At sa gitna ng lahat ng mga rally na ito ay na saan ako?

Sa loob ng sinehan.

foreground from left: Carlon Matobato and Gio Gahol; SINGKWENTA PETA’s 50th Anniversary Concert was held April 7 & 8, 2017 at the PETA Theater Center. Photo by Jude Bautista

Hindi ako naging interesado sa political events na nangyayari sa bayan. Kasi ang alam ko lang, ang iniikutan ng buhay ko ang pamilya ko. Pero nung sumali ako sa PETA nagbago ang takbo ng buhay ko.

Tuwing nagrerehearse kami o kaya may hindi na gustohan ni Cecille Guidote. Lagi niyang sasabihin. “You only live once. And for that one life what is your contribution to your country?”

Michael Odoemene and Neomi Gonzales; SINGKWENTA PETA’s 50th Anniversary Concert was held April 7 & 8, 2017 at the PETA Theater Center. Photo by Jude Bautista

Matagal kong inisip ang mga sinabi ni Cecile. It took many years for me to discover the answer to it. When Cecile left we lost a leader who knows everything. What play to put up, where to get the funds, when will be the next workshop? Mabuti na lang through the help of other PETA members we were able to revive the company.

from left: PETA Executive Director Beng Cabangon and President CB Garrucho. SINGKWENTA PETA’s 50th Anniversary Concert was held April 7 & 8, 2017 at the PETA Theater Center. Photo by Jude Bautista

AT mula noon na assign nako ng PETA sa iba’t ibang workshop sa probinsya. Kami ni Brenda ay nagworkshop sa Cagayan De Oro sa liblib na pook sa kabundukan. Halos lahat ng participants namin ay na matayan ng ama, kapatid at ina. Sa araw ng workshop kami nga lang ang tao.

Soxie Topacio; SINGKWENTA PETA’s 50th Anniversary Concert was held April 7 & 8, 2017 at the PETA Theater Center. Photo by Jude Bautista

Pero pag dumating ng dilim ang dami ng tao sa paligid. Nang tinanong ko kung saan sila galing, sabi ng organizer mga NPA sila. Ang mga anak at kapatid nila ang mga estudyante ninyo. Kaya pala ganoon ka bigat ang mga kwento nila, sa improvisation.

Sa Kalinga Apayao ang mga estyudante namin ay patuloy ipinaglalaban na hwag itayo ang Chico Dam na maglulubog sa kanilang ancestral homes.

A young Nanding Josef in KALINGA directed by Soxie Topacio.

Sa Ilo ilo na turuan kami ng mga mangingisda paano awitan ang mga isda para madali silang mahuli.

Sa Smokey Mountain di ko akalain ganoon katatapang ang mga bata. Grabe mag mura at marami pang ibang workshop. Sa workshop di man sila naging artista, pero na bigyan sila ng pamamaraan para maisawalat nila ang ka nilang mga loobin. Na isasadula nila nag kanilang mga hinaing.

from left: Joel Lamangan, Soxie Topacio and Mae Paner; SINGKWENTA PETA’s 50th Anniversary Concert was held April 7 & 8, 2017 at the PETA Theater Center. Photo by Jude Bautista

Na isip ko ito ba ang kasagutan sa tanong ni Cecile? Ang tumulong ako sa mga taong na aapi? Para magka boses sila at I realized hindi lang sa workshop ko na kita ang layuning kong ito.

Kahit sa mga dulang na gawa ko ay na bigyan ko sila ng boses. Sa JOE HILL binigyan ko ng laya ng manggagawa at masabi kanilang hinaing. Sa MAKLI-ING DULAG pinakita ko ang paglalaban ng mga Kalinga. Sa MARIANG ALIW na ipakita ang sakit at sama ng loob ng mga prostitute. Sa NOLI AT FILI DEKADA 2000, pinakita namin ang walang habas na sakuna na dulot ng illegal logging. At marami pang iba.

May Bayot (Elsa) is smothered by devotees. HIMALA had a successful 10th Anniversary run at PETA in March 24, 2013. Photo by Jude Bautista

Dito sa mga dulang ito at mga workshop na ginawa ko ay na kita ko ang aking misyon sa buhay. Isang buhay na iaaalay ko para sa bayan. Pati sa pagdarasal ko ay para sa PETA at sa mga kasama. Noon ko na realize di lang political ang misyon ko, spiritual din. Again Maraming Salamat.

from left: Joel Lamangan, Soxie Topacio and Jess Evardone. SINGKWENTA PETA’s 50th Anniversary Concert was held April 7 & 8, 2017 at the PETA Theater Center. Photo by Jude Bautista

Additional Sources:

Makisama ka, hindi ka star dito: Why Soxie Topacio was Mother Soxie to All by Totel De Jesus

http://lifestyle.inquirer.net/269421/makisama-ka-hindi-ka-star-dito-soxie-topacio-mother-soxie/

 

Theater pillar Soxie Topacio, 65, passes away by Gibbs Cadiz and Totel De Jesus

http://lifestyle.inquirer.net/268948/theater-pillar-soxie-topacio-65-passes-away-2/

 

SALAMAT, SOXIE | Remembering Soxie Topacio, artist and entertainer by Edwin Sallan

http://www.interaksyon.com/salamat-soxie-remembering-soxie-topacio-artist-and-entertainer/

Soxie Topacio was given the NATATANGING GAWAD BUHAY. The 9th PHILSTAGE GAWAD BUHAY was held May 10, 2017 at the Tanghalang Aurelio Tolentino, CCP. Photo by Jude Bautista

WordPress:

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from left: Director Soxie Topacio, Librettist Vincent De Jesus, Cynthia Culig-Guico (Chayong), Joy Virata of REP and Lionel Guico (Pari). HIMALA The Musical had a successful 10th Anniversary run at PETA in March 24, 2013. Photo by Jude Bautista

from left: Joel Lamangan and Soxie Topacio; SINGKWENTA PETA’s 50th Anniversary Concert was held April 7 & 8, 2017 at the PETA Theater Center. Photo by Jude Bautista

tumblr:

http://judebautista.tumblr.com/

Playwright Rody Vera gave a riveting vocal performance. SINGKWENTA PETA’s 50th Anniversary Concert was held April 7 & 8, 2017 at the PETA Theater Center. Photo by Jude Bautista

9th Gawad Buhay scriptwriter Dennis Marasigan who like Soxie is a writer, actor and director for stage and film. SINGKWENTA PETA’s 50th Anniversary Concert was held April 7 & 8, 2017 at the PETA Theater Center. Photo by Jude Bautista

flickr:

http://www.flickr.com/photos/14686025@N00/

from left: Joel Lamangan and Soxie Topacio; SINGKWENTA PETA’s 50th Anniversary Concert was held April 7 & 8, 2017 at the PETA Theater Center. Photo by Jude Bautista

Host Jon Santos; The 9th PHILSTAGE GAWAD BUHAY was held May 10, 2017 at the Tanghalang Aurelio Tolentino, CCP. Photo by Jude Bautista

http://www.flickr.com/photos/14686025@N00/

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Cynthia and Lionel Guico; SINGKWENTA PETA’s 50th Anniversary Concert was held April 7 & 8, 2017 at the PETA Theater Center. Photo by Jude Bautista

Norbs Portales performed as Soxie Topacio in the role of Nene. The 9th PHILSTAGE GAWAD BUHAY was held May 10, 2017 at the Tanghalang Aurelio Tolentino, CCP. Photo by Jude Bautista

WordPress:

http://judebsports.wordpress.com/ , http://judebfood.wordpress.com/ , http://judebphoto.wordpress.com/ , https://judebgallery.wordpress.com/ , http://judebautista.wordpress.com/

from left: Cris Gonzales and Soxie Topacio; SINGKWENTA PETA’s 50th Anniversary Concert was held April 7 & 8, 2017 at the PETA Theater Center. Photo by Jude Bautista

WordPress:

http://judebsports.wordpress.com/ , http://judebfood.wordpress.com/ , http://judebphoto.wordpress.com/ , https://judebgallery.wordpress.com/ , http://judebautista.wordpress.com/

Direk Soxie is grateful to all past and current PETA members. Each of them teacher-artists in their own right. SINGKWENTA PETA’s 50th Anniversary Concert was held April 7 & 8, 2017 at the PETA Theater Center. Photo by Jude Bautista

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MP: Let Go And Let God

You’re the greatest ever. Time to let go and let God give you new challenges.

Written by

Jude Bautista

Disbelief was going through Filipinos minds watching Senator Manny Pacquiao get overwhelmed by the aggressive, bigger Jeff Horn. From the opening bell Horn went right at him, forcing him to the ropes. It didn’t matter if the shots were inaccurate they came flying at him. The volume of body shots was also surprising. The body punches may have taken the sting off Manny’s attack especially in the later rounds.

Horn lands deadly body shots; Pacquiao vs Horn was held at the Sun Corp Stadium, Brisbane, Australia last July 2, 2017.

We were so used to seeing him dominate his opponents we were all shocked to see him like this. In the first three rounds, I think he may have been trying to time a haymaker as Horn was coming in. So he wouldn’t lead, meaning try to punch ahead of Horn. It may have been his strategy to wait in the pocket for that perfect opening to land that killer left hook or right straight that had felled countless opponents in the past.

Pacquiao’s devastating left hook that KOed Ricky Hatton.

Just like that legendary knockout of Ricky Hatton who came surging at him. Manny caught him with that picture perfect left hook that sent him reeling to the canvas. The technique is deceptive it takes incredible, speed, timing and power for all of it to come together. The problem now Horn was getting ‘in’ and throwing punches before he could hit him with that perfect counter. Instead Manny was the one getting hit.

Pacquiao turtles up in the onslaught of Horn’s attack. Pacquiao vs Horn was held at the Sun Corp Stadium, Brisbane, Australia last July 2, 2017

This made him look like he was pulling his punches. Was it mental or physical? We really don’t know. He looked tentative waiting for the counter. And after the first 3 rounds when this strategy wasn’t working, why wasn’t he able to adjust or change his game plan?

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Pacquiao had problems in the clinch. Pacquiao vs Horn was held at the Sun Corp Stadium, Brisbane, Australia last July 2, 2017.

Deadly Clinch

The moments when Pacquiao was forced to the ropes by Horn was also telling. Horn was just busier on the inside landing to the body, short punches to the face. In the past, he could just slip away using his footwork and head movement or even better punch his way out of the clinch. In close quarters Horn seemed to trap his arm and sneak in some damage. This is where the size and strength of the taller Aussie came to play. Before, against Antonio Margarito and legendary Oscar Dela Hoya or the more recent Rios and Alghieri, there were never any problems in the clinch. All of them are at least several inches taller. So prior to the fight, height and reach wasn’t deemed a factor.

Pacquiao had no problems before with bigger taller fighters like Alghieri. That’s why Horn’s size was not deemed a factor before the fight.

Pacquiao and Horn face off; Pacquiao vs Horn was held at the Sun Corp Stadium, Brisbane, Australia last July 2, 2017.

While Manny did not suffer a knock down you could see his head getting thrown back from the punches. They were doing damage. For Pinoys who care for the People’s Champ it was painful to watch.

Tanduay Derek: Tanduay Rhum is the drink of choice for Derek Ramsay – from The One TVC

Pacquiao had Horn on the run in the 9th. Pacquiao vs Horn was held at the Sun Corp Stadium, Brisbane, Australia last July 2, 2017.

9th Round Comeback

Manny’s shining moment came in the 9th round, when he finally landed a combo and then another staggering Horn. The roles were suddenly reversed. Pacquiao had him on the run, trying to finish him off. Horn looked glassy eyed ready to tumble and buckle under the power. But he was able to survive and go back to his corner.

After the 9th Ref Mark Nelson warns Horn of fight stoppage if he doesn’t come back. Pacquiao vs Horn was held at the Sun Corp Stadium, Brisbane, Australia last July 2, 2017.

The damage was such that Referee Mark Nelson, said to him in the corner ““YOU’VE had enough. Show me something in this round or I’m stopping the fight.” If there was a moment Manny could comeback to win the fight it should have been the 10th round where fans thought he had the time to finish him off…but he didn’t. Horn recovered stood his ground and even resumed his attack through to the 11th and 12th rounds. At that point Horn had won more rounds and was ahead in the scorecards getting the win.

Horn is given the unanimous decision win by the judges. Pacquiao vs Horn was held at the Sun Corp Stadium, Brisbane, Australia last July 2, 2017.

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Horn was ahead in the Tale of the Tape; Pacquiao vs Horn was held at the Sun Corp Stadium, Brisbane, Australia last July 2, 2017.

Age Factor

Questions come back to haunt MP, why didn’t he pursue those combos or was more aggressive earlier? If Horn was hurt in the 9th why couldn’t he put him away in the 10th or later rounds?

Pacquiao lands deadly body shots. Pacquiao vs Horn was held at the Sun Corp Stadium, Brisbane, Australia last July 2, 2017.

The simple and obvious answer is that age has finally caught up with our beloved hero. Filipinos have been in denial, including myself, believing him to be invincible and even immortal in the ring. For so long, the whole national psyche clung to his rising fortunes and triumphs. He’d lift up the spirits of his country 100 million people strong. It didn’t matter if it was Yolanda, typhoons, natural disasters, economic and political crises.

As senator, President or Citizen Pacquiao we know you’ll fight for us.
Time to move on.

Nation’s Hopes and Dreams

The young Senator would literally BE THERE distributing relief coming from his own purse, whether it was an earthquake in Bohol or just giving away turkeys to Pinoys or the less fortunate in the U.S for Thanksgiving.

Senator Manny Pacquiao is a member of 20 committees in the Philippine senate. Pacquiao vs Horn was held at the Sun Corp Stadium, Brisbane, Australia last July 2, 2017.

We didn’t even realize how much we’ve been relying on him as a people for so long. At 38 he could have called it quits years ago. But being the warrior that he is even he didn’t want to let it go. If there was anyone who’s worthy of a messianic complex it should be him.

He has shouldered the burden of a whole nation’s hopes and dreams for too long. I think, that’s why even if he is in literal pain he fights through it. He feels he has to fight for us even when he should obviously stop.

You’ve taken thousands of punches for us Filipinos. Let God guide your life in a new direction.

Pacquiao is patched up for accidental head butt. Pacquiao vs Horn was held at the Sun Corp Stadium, Brisbane, Australia last July 2, 2017.

Long Term Damage

In boxing there’s only one certainty: you get hurt whether or not you win or lose.

Concussion damage to the head isn’t a mystery; it’s a medical fact. Dr. Bennet Omalu (played by Will Smith in CONCUSSION) was saying something people didn’t want to hear. American football is a dangerous sport that has long-term effects on the human brain. His study points out the simple and obvious fact that our brains are encased in liquid. As the head experiences trauma the brain is jolted out of position and hits the skull causing massive damage. One can only imagine how much damage the human brain can take in the sport of boxing, where the head is punched over and over and over again…in one fight.

Buboy Fernandez encourages his legendary ward. Pacquiao vs Horn was held at the Sun Corp Stadium, Brisbane, Australia last July 2, 2017.

Retired football players years after their playing days exhibited symptoms of insanity, random violent behavior, voices in their head, endangering themselves and their family. One only has to look at what happened to our own former boxing champ in Rolando Navarete who is now in a pitiful state. Manny you’re the one giving dole outs to Navarete when he drops by your house in Gen San giving him food and money. You’ve seen the long-term damage that boxers can suffer from head trauma.

Because what makes our people great is what is in our hearts

Pacquiao raises arms in triumph; Pacquiao vs Horn was held at the Sun Corp Stadium, Brisbane, Australia last July 2, 2017.

Transcended Sport

The brutality that makes boxing beautiful also makes it dangerous. Buboy Fernandez, Freddie Roach, they’re all aware that you’re putting your life on the line each time you climb the ring. Roach said he’d be the one to ask you to retire if you lost against Horn. You could have quit when you were knocked out by Marquez and we supported you. You could have quit when you lost against Timothy Bradley and Mayweather and yet we still supported you.

Jerwin Ancajas retains his Jr Bantamweight IBF Title vs Teiru Kinoshita in the undercard. Pacquiao vs Horn was held at the Sun Corp Stadium, Brisbane, Australia last July 2, 2017.

Manny, you’ve transcended your sport you’re now a senator. Your MP Promotions has discovered Jerwin Ancajas who successfully defended his IBF Jr Bantamweight Belt in the undercard. This is the time for you to find new champions and impart your knowledge.

As senator, President or Citizen Pacquiao we know you’ll fight for us.
Time to move on.

Let Go And Let God

You’ve taken a lot of punishment, thousands of punches throughout the years for us Filipinos. You can let go and let God steer your life in a new direction. That’s why now we have to say thank you, we love you, but we need you to fight for us in a different arena. We know you want to be president and may want to earn your war chest through the sweat of your brow, unlike your politician friends.

But whether you’re a Senator, a President or citizen Pacquiao we know you’ll fight for us. And you need a clear and healthy mind to do so. You had a great run Manny some say the greatest ever now its time to move on.

Pacquiao congratulates Horn after the fight. Pacquiao vs Horn was held at the Sun Corp Stadium, Brisbane, Australia last July 2, 2017.

You’ve shown that win or lose you congratulate your opponent with a hug. You always manage a smile for our people through the most difficult times. This is the heart or puso of the Filipino. A sentiment embodied in a song by Lea Salonga, Bamboo and Sarah Geronimo:

Babangon sa bawat pagkakataon

Ngingiti anu man ang panahon

Lilipad para abutin ang lahat

Pusong walang pagod tumanggap

Magbigay, Mangarap

Pusong Pilipino

Nagniningning sa gilas

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Christine Allado and THE WORD choir sang the Philippine national anthem.
Allado starred in the West End version of HAMILTON along w Rachel Ann Go. Pacquiao vs Horn was held at the Sun Corp Stadium, Brisbane, Australia last July 2, 2017.

Pacquiao turtles up in the onslaught of Horn’s attack. Pacquiao vs Horn was held at the Sun Corp Stadium, Brisbane, Australia last July 2, 2017

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Senator Manny Pacquiao is a member of 20 committees in the Philippine senate. Pacquiao vs Horn was held at the Sun Corp Stadium, Brisbane, Australia last July 2, 2017.

GMA Reporter Mav Gonzalez talks about Pacquiao’s dedication as senator.

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Pacquiao had Horn on the run in the 9th. Pacquiao vs Horn was held at the Sun Corp Stadium, Brisbane, Australia last July 2, 2017.

Pacquiao vs Horn was held at the Sun Corp Stadium, Brisbane, Australia last July 2, 2017.

Jeff Horn was jubilant immediately after the fight. Pacquiao vs Horn was held at the Sun Corp Stadium, Brisbane, Australia last July 2, 2017.

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Pacquiao raises arms in triumph; Pacquiao vs Horn was held at the Sun Corp Stadium, Brisbane, Australia last July 2, 2017.

Christine Allado and THE WORD choir sang the Philippine national anthem.
Allado starred in the West End version of HAMILTON along w Rachel Ann Go. Pacquiao vs Horn was held at the Sun Corp Stadium, Brisbane, Australia last July 2, 2017.

You’ve taken thousands of punches for us Filipinos. Let God guide your life in a new direction.

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Pacquiao vs Horn was held at the Sun Corp Stadium, Brisbane, Australia last July 2, 2017.

Philippine flag in the ring; Pacquiao vs Horn was held at the Sun Corp Stadium, Brisbane, Australia last July 2, 2017.

A man of faith Pacquiao prays before and after each fight. Pacquiao vs Horn was held at the Sun Corp Stadium, Brisbane, Australia last July 2, 2017.

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Senator Manny Pacquiao is a member of 20 committees in the Philippine senate. Pacquiao vs Horn was held at the Sun Corp Stadium, Brisbane, Australia last July 2, 2017.

Pacquiao is greeted by crowd of fans in Brisbane. Pacquiao vs Horn was held at the Sun Corp Stadium, Brisbane, Australia last July 2, 2017.

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You’re the greatest ever. Time to let go and let God give you new challenges.

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